All Books

• Akio Nagasawa 2022
• Softcover, reprinted edition, 352p
• New

A complete reproduction of the photobook Daido hysteric no.4published by Harajuku fashion brand 'HYSTERIC GLAMOUR' in 1993

Signed and numbered edition of 900 copies. 365 x 315 mm, 352p.

• Mack Books 2022
• Softcover, 1st edition
• New

Following on from the bestselling box set Gathered Leaves, published to accompany Alec Soth’s touring exhibition which opened in London in 2015, this unique publication brings together five of Soth’s major books in their entirety in a single, compact, and densely detailed volume. Across more than 700 pages of newsprint, Soth updates and reimagines the original version of Gathered Leaves by reproducing every spread from these five books with detailed annotations in the form of notes, text extracts, and additional photographs. This new roadmap through Soth’s oeuvre also includes a new introduction by the artist.

Soth’s meteoric rise to international acclaim began with his first book, Sleeping by the Mississippi (2004), an elegiac road trip down the ‘third coast’ of the United States, which has since has sold through numerous print runs and is widely acknowledged as a classic. The success of his subsequent volumes Niagara (2006), Broken Manual (2010), and Songbook (2015) elaborated Soth’s lyrical but unflinching approach and reinforced his position as a master of the book form. His most recent work, A Pound of Pictures (2022), brings a new, poetic perspective to the idiosyncrasies of American life and the practice of image-making, broached once again through Soth’s now-distinctive road trip format.

• Tall Poppy Press 2022
• Softcover, 1st edition, 64p
• New

Morganna Magee’s Extraordinary Experiences encapsulates a world that feels like it is looking back at you. Never a passive mirror, the seductive romance of nature lures us in only for jump scares and that leads to morbid curiosity. Everything seems the wrong type of fragile: one misstep from a twisted neck or a nameless, quiet death. Tenderness is a form of mortality, not romance.

If this world is a mirror, it sometimes shows us what we don’t want to see. Flashbacks and deja vu unexpectedly bring back memories we have tried to forget but haven’t been able to. Like your first childhood experience alone in the woods, agraphoic and terrified, suddenly the menacing and uncaring side of life seems all too real. Nature’s too old, too ancient, has seen too much for one to feel entirely comfortable.

Moving between tension and relief, Extraordinary Experiences is not a quiet reflection of peace among nature, but a snatch of a dream you’re relieved you woke up from before it became a nightmare.

Edition of 200 copies.  Signed copy.

• Stanley Barker 2022
• Hardback, 1st edition
• New

A week before the global COVID-19 pandemic took hold in 2020 the Australian artist Trent Parke found himself on a whirlwind road trip across India. 

The frenetic photographs in Parke's new book Cue the Sun were all produced from fast moving vehicles, of the outside world as it rushed by, almost as if in a dream. 

The people rendered at 1000th of a second, are working through the night, pushing towards a smartphone driven modernity. 

“I kept feeling as though I could have been in any number of other countries at a given time. Though the windows I felt the past and future collide. The contradiction, beauty, chaos and hope. Humanity on the move.” Trent Parke

This unique artist book is contracted as a unique, 20 meter long, double printed concertina, taking you on a fantastical journey through the kinetic Indian night to the breath-taking dawn. 

• Libraryman 2021
• Hardback, 1st edition
• New

Lisa Sorgini (b. 1980, Australian) is a photographic artist that has found her own maternal experience to be central to the themes in her work.

Behind Glass, offers a layered exploration of motherhood as shown during the months of the burgeoning COVID-19 pandemic, as unprecedented stay-at-home measures swept across Australia and the World. It’s an opus that stands as both a creative commentary and an important cultural record.

Born of the pandemic, shooting began for the series as the first stay-at-home orders came into force in Australia. Making portraits of those in her immediate community, It’s a body of work motivated by a need to make visible the unseen role of parenting during such isolation and one that evokes a spectrum of deep tenderness, tedium, quietude, love, frustration, fear, and despair. These works present the light and darkness of motherhood during these extended periods of lockdown; the use of soft lighting and tonal contrast bringing this metaphor to visual life.

Each work is framed by a window in the home, a practice that feels poignant given the circumstances of mandated isolation where no contact was allowed. It’s a process that suspends each subject within a liminal space of transference and adaptation, one that mothers endure but children are protected from. Babies are seen clinging to their mothers. Tiny hands tug at clothing and skin. Each image, a delicate assemblage of flesh, unposed, set against the backdrop of quiet familiarity. There’s tenderness, but also an omnipresent claustrophobia and intensity.

Dewy faces and subdued tonality lends some works the appearance of a baroque portrait. It’s a disarming technique that adds to the body of work’s transcendence and timeless narrative. One mother looks out from the pane – seen for a moment in a time they were only just beginning to understand, her expression almost indecipherable. Behind glass, mother and child appear like living and breathing masterpieces – divine comedies of domesticity.

Whilst informing of a particular time, Behind Glass also speaks more broadly of the existing maternal experience. Its most blatant subtext is that of motherhood as contextualised within the modern western milieu; where women lie at the core of an intense inner world whilst continuing to remain begrudgingly detached from the outer. Yet central to this story is also the concept of hope and connective awareness. Mothers joined through a collective experience. Through this work, the unseen is seen.

The book contains a foreword by writer and curator Federica Chiocchetti (b. 1983, Italian).

First edition of 1,000 copies.

• Red Hook Editions 2022
• Hardback, 1st edition
• New

This book has been in the making for more than ten years. After all these years, I am not sure if I know what this is fully about. Or perhaps I do, and then I understand it even less, as nothing would be more disappointing than a clear, definitive “reading” of the work. If I were forced to answer, I’d say “It’s an exploration of the psyche of migration.” At least this statement is true to the book’s original intent, as it is to my immigrant experience.

Migration is a leap into the void. It is an experience that isn’t particularly misunderstood, but rather unrecognized, like languages we’ve vaguely heard at some point in our lives, but to which we aren’t able to attach a body. Or temperatures and distances that, measured in unaccustomed units, can be assimilated, yet only half-rhymed. It is an experience hidden in the invisible weight of opposites – the collision of the old and the new world, the social and the personal, empathy and intellection, the immemorial and factual remembrance of things.

As if packed and stored within a piece of luggage, these images, or fragments of living, represent layers of memory – the memorial, the immemorial, and the everyday. This cargo, seemingly disordered and lacking consistent narrative, is nothing more than a repository of an intimate, yet collective existence.

• Stanley Barker 2022
• Hardback, 1st edition
• New

Joan Albert, 1943-2012, created a remarkable body of work over a short period of time from the 1970s through the early 1990s in Massachusetts.

Her intimate photographs of her growing sons are filled with emotion, humour, and the obsessions of teenage and pre-teenage boys of at the tail end of the last century. Alberts 4 x 5” view camera portraits of her parents, friends and neighbours with their children are similarly poignant and richly detailed, showing the complexity and intensity of parent-child relation- ships.

This book, edited by the American artist Sage Sohier, and with hand painted typography by Tamara Shopsin is the first time that Albert's beautiful and compassionate work can be viewed in its entirety.

• Kult Books 2022
• Hardback, 1st edition
• New

According to old pagan beliefs Il Malocchio or ‘the evil eye’ is a curse causing bad luck and misfortune. In his debut book Il Malocchio Italian photographer Andrea Simonato depicts the quiet villages of his home region of Vicenza in the Northern Italy as upon this curse of unluckiness causing decay and abandonment. On his walks through sleeping villages and their empty buildings, dark woods and resting groves Simonato makes extraordinary findings in the seemingly common surroundings. The work echoes both longing and hope, creating a beautiful and poetic, yet mysterious ode to a place called home.

“When photographing I try to keep an open mind to whatever I come across. What I look for in a subject is to catch its enigmatic character, what it seems to be hiding rather than what it lets you see. Photographing in black and white helps me to abstract reality more easily by creating a sort of parallel world that is precisely that of the photographic narrative itself. Il Malocchio creates a conceptual frame for my work, as it is inherent for me to explore the mysterious side of things.”

Perfect bound hot foiled hard cover with a patterned translucent dust jacket. First edition of 250 copies

• Setanta 2022
• Softcover, 1st edition, 180p
• New

Black Country was made by Gilden in 2013 whilst on commission for Multi-Story projects. During his three week stay Gilden documented overlooked people, factories and homes in the Midlands in order to unveil and study the changing landscape of post-industrialised Britain.

Gilden focused on the neglected and marginalised communities; his goal was to shine a light not only on people who are often ignored in day to day society, but also on the trades and ideals that are slowly fading into history in the UK.

The design of his new monograph directly draws upon the themes which Gilden investigated whilst producing the work. Bound using stainless steel screws to appear like a factory manual, the book is presented in a beautiful cover printed with silver on black paper.

Screwpost bound softcover, 57 images with 6 gatefolds.

Due in stock mid-May, available for pre-order now.

• Mack Books 2022
• Hardback, 1st edition
• New

• Akio Nagasawa 2022
• Softcover, 1st edition
• New

"What Uwajima in Shikoku reminds me of first and foremost is Shinro Ohtake, a contemporary artist who owns a big atelier space in the region, from where he continues to present his works on the international art stage.

Ohtake-san once took me around Uwajima, where I took photos in the streets and the surrounding landscapes, and even though that was long ago, I have fond memories of it that keep coming back to me. A new color photo book is coming out that contains some of those shots, and I’m looking very much forward to that."

– from the afterword by Daido Moriyama

Signed and numbered limited edition of 350 copies with a silkscreen-printed canvas cover.

• Akio Nagasawa 2022
• Softcover, 1st edition
• New

One evening in early December 2021, I met a woman named Yaco at Akio Nagasawa Publishing in the Ginza area. At the time, I was a little tired of putting only street snaps into the Record journals, and had begun to think about doing things like female portraits. That was when Mr. Nagasawa introduced me to Yaco-san. We spent a while chatting about this and that, and as the conversation went on, as if by accident, she displayed a unique kind of sensitivity, and that instantly helped me make up my mind. The next volume of Record was going to be all about Yaco-san!

Once I had made the decision, things quickly fell into place. Without further discussion, I took her around the dusky Ginza and Yurakucho neighborhoods, and took pictures of her in the rough coat that she was wearing. It was the season when Christmas illuminations were turning every street corner into a gorgeous setting, and as Yaco-san moved around freely and flexibly in front of the camera, we were done with the shooting and returned to the gallery in less than two hours.

After a short break, we did some nude shots on the floors under and above the gallery. Yaco-san undressed without hesitating, and began to strike some casual poses quite naturally before I could even start giving instructions. So all I had to do was to keep releasing the shutter, and once again, the entire session took less than two hours.
I was sure that the records and the memories of that evening, of the photographer and the photographed alike, would casually manifest themselves on the pages of Record.

Even when taking into account my motivation this time, making an entire issue of Record into a Yaco-san special was an exception to the rule I guess. Not that this is something terribly important, but it is issue number 50 after all, so with this one being a special case, from here I’m going to return to my usual pace. Walk, watch, and shoot. This is my rhythm, and this is all that I do. When I met Mr. Nagasawa in a coffee shop in Kamakura the other day, he lightly said to me, “Let’s make it to Record No. 100,” and I lightly said thank you. His commitment to the publication made me very happy. Nevertheless, I can only do one at a time, so next is number 51, and after that, number 52.

Anyway, at this point, Record is the lifework and the lifeline of my photography…

– from the afterword by Daido Moriyama

Signed copy.

• RRB 2022
• Hardback, 1st edition
• New

‘Although RRB have already published the landmark trilogy of John Myers we are fortunate that more photographs have recently come to light and are published here for the first time. Even more fortunate is the fact that many of these are Myers terrific portraits. This volume confirms Myers role as one of the key portraitists of post-war Britain.’  - Martin Parr

RRB Photobooks are pleased to present the latest publication by John Myers, 'Life As It Is’. This publication imagines a day in the life that we find lying dormant in Myers archive. This narrative approach to Myers' collection is the first of its kind. The publication weaves together distinct customs of a peaceful middle England and uncanny sights that ‘don’t conform to how the world should look.’ Frames throughout the book invite us to step into nostalgic environments. Passing through each threshold, we are greeted by folk often characterised by their occupations - butchers, sales assistants, dinner ladies.

Myers has always maintained that he had no grand plan with his photography, simply shooting what his eyes were drawn to. In this respect, perhaps this book is somewhat autobiographical.

“Houses, buses,removal vans, hairdressers, people having their photograph taken, roofs being replaced, washing drying, bananas growing, tyres, houses and ice cream for sale. They are all here.”

We are often unconscious of this ‘fabric of the world’, but here we recognise the sense of comfort. The habitat presented is Myers most immediate surroundings, Stourbridge in the Midlands, UK. There is a familiarity in these images that can be felt across generations of suburban dwellers alike. When we look closely at the images, glimmers of anecdotes seem to emerge.

Signed to the title page.

• RRB 2022
• Hardback, 1st edition
• New

‘Although RRB have already published the landmark trilogy of John Myers we are fortunate that more photographs have recently come to light and are published here for the first time. Even more fortunate is the fact that many of these are Myers terrific portraits. This volume confirms Myers role as one of the key portraitists of post-war Britain.’  - Martin Parr

RRB Photobooks are pleased to present the latest publication by John Myers, 'Life As It Is’. This publication imagines a day in the life that we find lying dormant in Myers archive. This narrative approach to Myers' collection is the first of its kind. The publication weaves together distinct customs of a peaceful middle England and uncanny sights that ‘don’t conform to how the world should look.’ Frames throughout the book invite us to step into nostalgic environments. Passing through each threshold, we are greeted by folk often characterised by their occupations - butchers, sales assistants, dinner ladies.

Myers has always maintained that he had no grand plan with his photography, simply shooting what his eyes were drawn to. In this respect, perhaps this book is somewhat autobiographical.

“Houses, buses,removal vans, hairdressers, people having their photograph taken, roofs being replaced, washing drying, bananas growing, tyres, houses and ice cream for sale. They are all here.”

We are often unconscious of this ‘fabric of the world’, but here we recognise the sense of comfort. The habitat presented is Myers most immediate surroundings, Stourbridge in the Midlands, UK. There is a familiarity in these images that can be felt across generations of suburban dwellers alike. When we look closely at the images, glimmers of anecdotes seem to emerge.

Special Edition of 100 copies with a signed and limited 10x8" silverprint of 'Copper beech in front of house'

• Another Place Press 2022
• Softcover, 1st edition with print
• New

"The island is a living organism.
Something eternally alive.
Even in the most impenetrable darkness."

Dennis Gade Kofod

These photographs were captured on the Danish island of Bornholm in the winters of 2020-2021, where Anne Lass resides. With the project, she aims to put more focus on life out of the high season and explore what happens after dark - both inside homes and outside. The works include staged portraits of friends and neighbors, still images of nature and details of towns. The project has a documentary starting point and describes life on Bornholm in our specific time - two winters characterized by pandemic.

The images are also a visual study of artificial light situations, how light and shadows shapes people and nature and what mood the light conveys. Only present light sources have been used throughout. The combination of artificial light and the settings gives the feeling of film-stills with references to Twin Peaks, a series from the nineties which triggered Anne's own imagination about life and people in rural areas.

The narrative is kept very open and invites the viewer to use the works as a projection surface for their own memories and imagination.

Special Edition, limited to 30 copies - each with an A4 limited edition inkjet print signed and numbered by Anne (see image)

• Stanley Barker 2022
• Softcover, 1st edition
• New

Since 2010 Thomas Boivin has been making beautiful, contemplative black and white photographs of his Parisian neighbourhood and the people who live there. 

Belleville is a place that is both emblematic of the popular notions of Paris and constantly changing. Set in the eastern part of Paris, it is a multicultural area of the city that attracts artists and those new to France. 

“I started to photograph its streets and people as soon as I moved there, and kept photographing for years. Photographing people, above all, was what I found meaningful. Although the photographs hardly depict the city, I find they convey the sensation that I had, walking the streets of Belleville: A mixture of beauty and decay, of joyful moments and sadness, the warm feeling of light and the bitter sweet sensation that one can experience walking around all day, searching for a stranger's eyes..” - Thomas Boivin

• Twin Palms 2010
• Hardback, 3rd edition
• Fine

For Now is the result of filmmaker Michael Almereyda’s year-long search through the Eggleston archives, a remarkable collection of heretofore unseen images spanning four decades of work by one of our seminal artists. Unusual in its concentration on family and friends, the book highlights an air of offhand intimacy, typical of Eggleston and typically surprising.

As new.

• Twin Palms 2007
• Hardback, 2nd edition
• New

"William Eggleston’s latest monograph features photographs taken during the early 1970s using a large-format 5 x 7 camera. The book includes imagery typical of the Eggleston oeuvre—streetscapes, parked automobiles, portraits of the strange and disenfranchised. It also offers never-before-published photographs taken in the nightclubs Eggleston frequented. The portraits are offhand and spontaneous but insistently stark; their brutality is heightened by the absence of color. They have a leveling effect—whether biker or debutante, the people are clearly denizens of the same realm."

—Walter Hopps

• Setanta 2021
• Hardback, 1st edition, 168p
• New

• Film Photographic 2021
• Hardback, 1st edition, 176p
• Near fine - see below
  

Commissioned by Galveston Historical Foundation, Galveston by Jason Lee, the photographer’s fourth book of selected photographs from an ongoing documentation of America that began in California in 2006, features 98 photographs made on the island of Galveston, Texas, in November 2020 with 4x5 and 35mm color and black-and-white films.

Final few copies with some light wear to corners and cover (see example photos).  Inside as new.  

Unsigned.

• Switch 2022
• Hardback, 1st edition
• Fine (see below)

• Benrido 2006
• Boxed set of 6 black and white collotype prints
• New
  

Shoji Ueda (1913-2000) was one of Japan’s most prominent modernist photographers and continues to be one of the nation’s most highly regarded. Working mostly in his home prefecture of Tottori, he frequently incorporated surrealist imagery into his photographs. He often used his wife and three children as subjects, with the local landscape of sand dunes as a backdrop.

Benrido Atelier has collected six of Ueda’s most cherished images for inclusion in this finely printed collotype portfolio. These six pictures are seminal works from his explorations in unnerving our visual experiences, mixing the everyday with the absurd. The collotype process elevates the tonal qualities of Ueda’s images beyond any previous iteration–the prints can only truly be appreciated in person.

Print Size: 25.4 x 20.3cm 

Case Size: 20.6 x 25.8 x 0.8cm 

• Mack Books 2022
• Hardback, 2nd edition
• New
  

• Mack Books 2022
• Softcover, 1st edition
• New
  

With essays by Wendy Ewald, Abigail Winograd, and Edgar Garcia.  

• Kominek 2022
• Softcover, 1st edition, 256p
• New

• Stanley Barker 2022
• Set of 12 cards in folder, 1st edition
• New

This new limited edition object, includes twelve photographs produced by photographer Robbie Lawrence in his home nation of Scotland over the past five years. Together they form a meditation on the relationship between people and place, and create an affirmation of life north of the border against an increasingly fraught political landscape across the UK.

Released to coincide with an exhibition at Stills Gallery, Northern Diary draws inspiration from classic Valentine’s sets that in years gone by, one would purchase while away from a loved one to attempt to share an experience of their travels.

“I have never thought of myself as a Scottish photographer. But a growing interest in my cultural heritage led me to begin documenting my trips home to see my family. The phrase Northern Diary appeared several times in my notebooks over the years and became a kind of totem for the work.” - Robbie Lawrence

Embossed case containing 12 heavy weighted cards, size 200x150mm.

• T&M 2022
• Hardback, 1st edition
• New
  

'This book “Tokyo Silence” is a collection of B&W photographs capturing the Tokyo street life between 2003 - 2006. Tokyo is thought to be one of the noisiest cities in the world, but through these photographs I want to show the other side of Tokyo - for me, this is a city where strange silence is prevailing in the depth of our life like water. 

During that period I was crazy about traveling in China. In China, everywhere you look there is chaos. Shouts of people on the overcrowded streets, the squawking of car horns echoing in the grey sky, roaring voices from the loudspeakers scattered all over the cities - I really loved those Chinese street noises and I remember walking each day as if struck by lightning.

After getting used to such chaotic noises in China, the silence of Tokyo sounded very unique to me. Every time I came back to Tokyo, I wondered how could the city be so quiet?  No one talks on the trains, no one shouts on the streets. Yes, Tokyo is a city of noise too, but I think the character of noise is inherently different between the two countries. Here in Tokyo, almost all of the noises are from autoplaying music such as background music from shops or video ads on huge screens. What would happen if all the autoplay music is suddenly muted? While walking on the Tokyo streets, sometimes I feel an illusion as if I were in the bottom of an aquarium, where a curious silence surrounds us.

Such a thought pushed me to shoot the Tokyo streets, with a monochrome film-loaded Leica in my hand. I wanted to capture such characteristic silence of Tokyo, and the silence settling down inside us deeply.'

- Yasuhiro Ogawa

Edition of 800 copies.  Signed copy.