All Books

• Plague Press 2021
• Hardback, 1st edition
• New

The Birdman competition is the quintessence of British humour and eccentricity. Held each summer along the south coast of England, people dressed in avian related garb attempt to fly off piers. The furthest flight wins prize money, before splash landing in the water.

Standing on the pier, away from the crowd, Miller captured mixed feelings of excitement, pride, anxiety and fear. As each birdman walked away from the friendly and light atmosphere of the beach to get ready for their big jump, whilst nervously glancing down over the edge of the platform.
The old-fashioned twin-lens reflex, shooting black and white images in a square frame, could capture the eccentric birds with clarity as long as they stood perfectly still. Miller pictured each of them individually, focusing on their uniqueness, particularities and self-crafted narratives. Waves and clouds of rainy English summer days served as a backdrop to their performance, divided by the horizontal lines of the sea and the structure of the pier.

Miller’s Rolleiflex transformed the pier into a theatre stage, where anyone was convinced, just for a moment, that homemade feathers and newspaper wings could really fly.

- from the afterword by Julie Bonzon

Signed copies for first few customers.

• Besides Press 2021
• Softcover, 1st edition with print
• New

'Murmurations' by Billy Barraclough is, in its simplest expression, a study of the shape and form of starling murmurations, which he observed daily throughout winter 2020-21. The project is presented alongside newly commissioned poetry by writer Lue Mac. 

Billy's desire to visit this mass gathering of birds came about during the first lockdown of 2020, after he opened a box of photographs left behind by his late father, John Barraclough. In that archive, Billy stumbled upon an album of pictures that showed him as a young boy chasing starlings on the beach in Blackpool.

As the winter lockdown hit, Billy began visiting a local murmuration as an almost daily ritual to reconnect with nature; the long trek to the wetlands serving as a moment to reflect on the surreal situation imposed by the pandemic. At this time of worldwide crisis - when individuals are asked to sacrifice their freedoms for the sake of something larger - murmurations can be seen as an apt metaphor.

“The ‘normal’ functioning of nature and the environment had continued and despite our lockdowns, mask wearing, and mass sanitisation, the trees were still losing their leaves, the birds were still migrating for winter and the murmurations were still happening in the same place and same time every day.”

Freezing a moment from the murmurations' ever-shifting flow creates something distinct from the experience itself. The images become sculptural; ever-morphing forms are rendered static, and we're able to study the birds' unique creation as it existed for only a split second. The form and flow of the book echoes the natural progression of the starlings as they murmurate: the images start out sparse, with just a few birds gathering, and then reach a crescendo before quieting back down as the starlings go to roost.

The tone is beautifully complemented by a series of poems written by Lue Mac, reflecting on their own experience of watching starlings murmurate at a beach near their home in rural Dorset, during the same time that Barraclough was making his photographs. The resulting poems touch on themes of separation, reconnection, the moment of touch, and life across seasons.

Signed special edition of 40 copies with a 10"x8" giclee print (first image).

• Ampigt Förlag 2021
• Softcover, 1st edition
• New

A fragmented diary of black & white photographs made after a period of becoming disillusioned with photography projects. Rather than focusing on one subject or theme, the works here have a loose, associative relationship with no set chronological or thematic order. These pictures present a bid for freedom and propose a deliberate departure from the descriptive. The photographs reflect an instinctive approach to their creation, whether at the moment of capture or through the developing and selection process – these works are ones that Österlund identifies with, the ones that hit a nerve with him both in content and form.

Duotone on Munken Lynx Rough with 8 tipped-in images on Curious Metallics paper

Limited edition of 200 signed and numbered copies with a 120x165mm print

• Gallery 51 2021
• Softcover, 1st edition
• New

"We Belgians are used to seeing people have fun, get drunk, dance or do whatever else they please in this temple of emotions. To sober outsiders, cafés are an enigmatic territory, where a miracle potion is served. It's Harry instead of Asterix chez les Belges. In all likelihood, the photographer had to leave his comfort zone to better understand it. Taking a step back to see the bigger picture. Leaving to arrive. It's ironic that no other Belgian was able to preserve this culture as brilliantly as Gruyaert. I used the word preserve on purpose. Unlinke wine, beer is not stored. It is consumed as soon as possible. Perhaps that's why beer drinkers are so impatient when they're thirsty."

Stephan Vanfleteren, from his introduction

21 x 15 cm, 101p softcover with beermat.

• EXB 2021
• Hardback, 1st edition, 224pp
• New

This monograph by Patrick Zachmann accompanies his major exhibition at the Museum of Art and History of Judaism in Paris presenting a selection of his work from the years 1970 to 2015.

The book brings together a dozen of his major series, some of which have never been published. The photographic work of Patrick Zachmann, member of Magnum Photos, is complex and dense. It can be read in particular in the light of several recurring themes that run through it. The first, and one of the most important, is the question of Jewish identity. This identity, he will seek it, explore it, discover it, starting by taking an introspective look at his own family before going to different countries in Europe. From his reflections will emerge other paths that the photographer easily takes, such as those of exile or disappearance. He photographs neo-Nazi gatherings in South Africa, in Rwanda, survivors of the genocide, or even in Chile, the disappearance of people during the dictatorship.

In this corpus, Zachmann points out the weaknesses of our relationships with others, while revisiting his own work.

Text in French only.

• IBASHO & the (M)éditions 2021
• Softcover, 1st edition
• New

Yoshinori Saito lives in the most northern part of Japan, Hokkaido. Winter there is long and the snow falls intermittently for about four months. The long stretches of snow are tedious, however after the snowstorm when all the snow has settled, there is this endless expanse of white: pure, calm and silent.

 “When I walk on the fluffy virgin snow, in the distance I notice unusual forms. On closer examination they are only some weeds, with their stalks broken and leaves fallen, leaving only a skeletal form. Against the white snow these forms appear black and form sharp markings, as if drawn. This moment also gives me a deep connection to the indigenous Ainu people of Hokkaido. They believe that when their time on earth is over, they return to God’s world, and in due course will reappear. To reflect this sentiment, each work is titled to reflect their world. It is as if the forms are whispering to me, through the tranquility, giving me hope and gently supporting me through to spring.” - Yoshinori Saito

Elegant softcover with Japanese folds. Limited edition of 500 numbered copies.

Text by Yoshinori Saito in Japanese and English

• Ira Stehmann / the(M) éditions / IBASHO 2021
• Hardback, 1st edition
• New

“Photography is not the thing. It is the thing that gets us to the thing.
Atkins used photography to illustrate nature and its structure. In a similar way, we use photography to illustrate reality and its structure. The possibility of having a tool to investigate reality is what first drew us to photography. We discovered that by using this medium we can nurture our interest and have a better understanding not only of perceived reality, but of the ‘structure of reality’, ‘the why of things’. Photography is, for us, the perfect philosophical tool to learn more about the universe as a logical and architectural conception: the recognition of an order among individual pieces in which each piece is also illuminated by the arrangement of the whole.”
- Albarrán Cabrera

Edition of 1000 copies.  (3 different covers assigned randomly)

• the(M) éditions / IBASHO 2021
• Softcover, 1st edition
• New

• the(M) éditions / IBASHO 2021
• Hardback, 1st edition
• New

• Void 2021
• Hardback, 1st edition
• New

“White, muscled bodies, industrialised, eerie cities lit in golden light, and constant references to man’s power over nature, all portrayed in soft, otherworldly pastels and natural lighting. But her photographs’ metaphors nod to the reality coursing through our global market reliance, and are charged with a relatability that holds our gaze.”

— Cat Lachowskyj, The British Journal of Photography

Material abundance is presented as the key to fulfillment. We are meant to believe that with hard work one can get to the top no matter where they start from. An entire generation called the Millennials – which Kata is also part of – grew up with these promises.

‘There is Nothing New Under the Sun’ is Geibl’s first monograph. Carefully planned images are mixed with stream-of-consciousness texts. A poetic approach emerges through allegories, personal short stories and image pairs. The project deals with the rampant individualism that underpins our contemporary social, political, and economic system, and in particular, the environmental impact that it has. Geibl’s aim with the series is not to lecture, or to lay down a strict story, nor to interpret economic issues. She takes the viewer on a journey. There are no clear answers but instead ambiguous questions. Which we have to ask sooner or later as we are not only heirs of the system but also suffer under it.

• VOID 2021
• Hardback, 1st edition
• New

"As gender roles and power structures begin to shift further and further away from their fabricated but very real empire, this work is a timely investigation into the fear and discontent found in the nation of straight white men that I am undoubtedly a part of.”

— Shawn Bush

This project surveys the American straight white male’s endless pursuit to sustain power and the institutions that enforce their supremacy. The pictures are a compilation of Bush’s own alongside an archive of gold prospectors and propaganda photographers that span from 1920 to the early 1970s. Bridging a century of photographs, this body of work juxtaposes systems that conceal their influence and preserve a violent regime alongside the burden of that heritage.

For the past ten years, Shawn has focused on Western systems of authority through the lens of masculinity. His bodily identity has allowed him to connect with male communities across the United States through traditionally masculine venues, though often starting in online forums where many males feel free to express their inner thoughts. In this space, it became clear how petrified many straight white men are of losing their socio-economic position to those who are not also straight white men, often employing a defend-at-all-cost attitude with a plan of attack.

After the first eight years making images while living in progressive city metros, Bush moved to Wyoming, USA, under the Trump presidency. Being immersed into the time capsule of the past that is Wyoming forced the artist to think about the present as an echo of the past and changed how I create, which is when he began to solely photograph using a large format camera, black and white film, and working in still life. Many of these photographs also use a bare bulb flash to connect the language used in the image archive to the present, creating a narrative that dissects a history rooted in colonialism and unable to confront its past on a collective level.

• Stanley Barker 2021
• Hardback, 1st edition
• New

“The week before Trula died, she began spending entire days reclined in her field. Her body would be so still we’d come up closer to be sure she hadn’t left us. A slight movement of her head chasing a loose swallow, or a finger grazing a plucked blade of grass was enough. Tuesday night she had come into the kitchen after a particularly long 12 hours in her field. Her hair disheveled like a bird nest. She looked at a rhubarb stalk on the table and said to us “all this time I’ve never seen the flowers growing, but they’re taller every morning.” - Paul Guilmoth 

Paul Guilmoth’s At Night Gardens Grow is an elegy to a queer world that rests between the personal landscapes of home, and the ubiquitous terrains of identity. At Night Gardens Grow is about the island it was created on, just as much as it’s about the interior worlds we carry with us. Combining carefully crafted large-format photographs with more impulsive documentary photographs, Guilmoth moves through the found and fabricated landscapes of somewhere that’s never quite fixed or distinguished, but palpably familiar.

These photographs have one foot in modern America and the other in a land of the past—haunted by the ghosts of lived experience, family, and the land we inhabit. Any clear sense of locality is lost in favour of a more fluid and universal language of symbols and stories. A duality exists in this place that has both a desire to preserve, and an instinct to shed its skin, exposing a burgeoning folkloric force at work beneath its surface.

From baptisms, monuments of spider-silk, funerals, house-fires, holes carved in rock, and birth: At Night Gardens Grow is about stories that are as fragile as the world they’re built on.

This book is for Trula Drinkard-Goolsby, who died on July 17th, 2021 after one last day laying in the field. 

Due in stock w/c 30 November, reserve your copy now.

• Jane & Jeremy 2021
• Hardback, 2nd edition
• New

In 2018 Matthew Thorne was invited by Australian Director Justin Kurzel (Snowtown, Macbeth) to create a photography project adjacent to the making of his feature film ‘True History Of The Kelly Gang’. This limited edition photo book is the result of that project: A collection of photos, poems and essays on the iconic Australian Ned Kelly story. A work that documents the most recent telling of the iconic colonial Australian legend of Ned Kelly.

145mm x 200mm

2nd edition of 100 copies, with signed print.

Unsigned.

• Jane & Jeremy 2021
• Hardback, 2nd edition
• New

In 2018 Matthew Thorne was invited by Australian Director Justin Kurzel (Snowtown, Macbeth) to create a photography project adjacent to the making of his feature film ‘True History Of The Kelly Gang’. This limited edition photo book is the result of that project: A collection of photos, poems and essays on the iconic Australian Ned Kelly story. A work that documents the most recent telling of the iconic colonial Australian legend of Ned Kelly.

145mm x 200mm

2nd edition of 100 copies, with signed print.

SIGNED COPY.

• Photo Editions 2021
• Softcover, 1st edition, 108pp
• New

In anywhere but here, Alison McCauley expresses the restless feeling that has haunted her throughout her life: that the place she is in isn’t where she should be, and a conviction that the next place will be better. Taken from 2008 to present, these images—taken in various locations around the world—are a deeply personal reflection of the artist’s emotions, photography being a cathartic means of coming to terms with her constant desire to move. As someone who has always led a semi-nomadic lifestyle, McCauley seeks to explore the idea of not belonging. Though she feels like she is supposed to belong somewhere, McCauley doesn't want to, as she recognises that it is the wonder of this belonging that is the impetus behind her work.   

Devoid of geographical and temporal reference points, the images are figuratively and literally blurred to emphasise that this is not about a location or time, but rather a state of mind. For the viewer the series takes on a narrative of its own, unfolding like a dream sequence: a body submerged in water, a flurry of balloons released into the open sky, city lights streaming through a hotel room, and fleeting scenes captured from a car window. Just as she is drawn to movement, it is these liminal spaces that the artist gravitates towards – the chaos, the stillness, and the magic in between. “The work comes from reality, but it’s a reality that’s distorted by subjectivity,” says McCauley. “It’s an expression of my state of mind during these restless off-moments.” 

The first 100 pre-orders comes with a 10x15cm signed print (final slide)

Due in stock early December 2021, reserve your copy now.   * Overseas customers please note that books will ship as soon as we receive them, but we cannot guarantee delivery before Christmas.

A Special Edition is also available here.


For trade enquiries, please get in touch here

• Photo Editions 2021
• Softcover, 1st edition with print
• New

In anywhere but here, Alison McCauley expresses the restless feeling that has haunted her throughout her life: that the place she is in isn’t where she should be, and a conviction that the next place will be better. Taken from 2008-present, these images—taken in various locations around the world—are a deeply personal reflection of the artist’s emotions, photography being a cathartic means of coming to terms with her constant desire to move. As someone who has always led a semi-nomadic lifestyle, McCauley seeks to explore the idea of not belonging. Though she feels like she is supposed to belong somewhere, McCauley doesn't want to, as she recognises that it is the wonder of this belonging that is the impetus behind her work.   

Devoid of geographical and temporal reference points, the images are figuratively and literally blurred to emphasise that this is not about a location or time, but rather a state of mind. For the viewer the series takes on a narrative of its own, unfolding like a dream sequence: a body submerged in water, a flurry of balloons released into the open sky, city lights streaming through a hotel room, and fleeting scenes captured from a car window. Just as she is drawn to movement, it is these liminal spaces that the artist gravitates towards – the chaos, the stillness, and the magic in between. “The work comes from reality, but it’s a reality that’s distorted by subjectivity,” says McCauley. “It’s an expression of my state of mind during these restless off-moments.” 

Special edition of 25 copies, with a signed and numbered A4 print on Hahnemühle William Turner textured paper.  See the alternative special edition available here.

Due in stock early December 2021, reserve your copy now.  

* Overseas customers please note that books will ship as soon as we receive them, but we cannot guarantee delivery before Christmas.

• Photo Editions 2021
• Softcover, 1st edition with print
• New

In anywhere but here, Alison McCauley expresses the restless feeling that has haunted her throughout her life: that the place she is in isn’t where she should be, and a conviction that the next place will be better. Taken from 2008-present, these images—taken in various locations around the world—are a deeply personal reflection of the artist’s emotions, photography being a cathartic means of coming to terms with her constant desire to move. As someone who has always led a semi-nomadic lifestyle, McCauley seeks to explore the idea of not belonging. Though she feels like she is supposed to belong somewhere, McCauley doesn't want to, as she recognises that it is the wonder of this belonging that is the impetus behind her work.   

Devoid of geographical and temporal reference points, the images are figuratively and literally blurred to emphasise that this is not about a location or time, but rather a state of mind. For the viewer the series takes on a narrative of its own, unfolding like a dream sequence: a body submerged in water, a flurry of balloons released into the open sky, city lights streaming through a hotel room, and fleeting scenes captured from a car window. Just as she is drawn to movement, it is these liminal spaces that the artist gravitates towards – the chaos, the stillness, and the magic in between. “The work comes from reality, but it’s a reality that’s distorted by subjectivity,” says McCauley. “It’s an expression of my state of mind during these restless off-moments.” 

Special edition of 25 copies, with a signed and numbered A4 print on Hahnemühle William Turner textured paper.  See the alternative special edition available here.

Due in stock early December 2021, reserve your copy now.  

* Overseas customers please note that books will ship as soon as we receive them, but we cannot guarantee delivery before Christmas.

• Witty 2021
• Hardback, 1st edition
• New

Puklus deconstructs and questions the dynamics of the pre-established female and male roles: motherhood as an alleged heroic activity and the supposed duty of the father to build and protect the home. His search breaks down the traditional symbols associated with maternal and paternal figures in a playful yet critical way. Outside the confines of the photographic studio, he develops an original visual vocabulary around parental life and issues related to the construction of the family nucleus. Presented and internationally premiered at Images Vevey, Switzerland, the installation reconstructs the everyday life and unfolds in the intimacy of home: in each room, the viewer discovers the complexity of ourselves.

• Trespasser 2021
• Softcover, 2nd edition
• New

Mark Mahaney’s Polar Night is a passage through a rapidly changing landscape in Alaska’s northernmost town of Utqiagvik. It’s an exploration of prolonged darkness, told through the strange beauty of a snowscape cast in a two month shadow. The unnatural lights that flare in the sun’s absence and the shapes that emerge from the landscape are unexpectedly beautiful in their softness and harshness. It’s hard to see past the heavy gaze of climate change in an arctic town, though Polar Night is a visual poem about endurance, isolation and survival.

2nd edition. 

Expected to start shipping December 1st.

• The Ice Plant/EXB 2021
• Hardback, 1st edition
• New

In Cloud Physics, American photographer Terri Weifenbach explores the vital interconnection of our planet’s clouds and the intimate forms and textures of its biological life. The backbone of this work is a series of photographs (for which she received a Guggenheim Fellowship in 2015) made at an American research facility used for the study and measurement of clouds, their origin, structure, particles and solar relationships. The exotic instruments she portrays are designed to express ephemeral atmospheric phenomena as sets of numeric data, yet Weifenbach’s camera (and her way of seeing) renders our organic terrestrial world as an unquantifiable mystery. The vibrant scenes of her wide-ranging images — tiny variations of light, humidity, fire, lightning; iridescent mists and vapors; glimpses of the animal kingdom and the vegetal world — are like myths-within-myths unfolding throughout the book, against a backdrop of endless weather events. In an original essay, Luce Lebart examines Weifenbach’s work in the historical contexts of visual art and environmental science.

English edition.


Video courtesy of EXB.

• EXB 2021
• Hardback, 1st edition
• New

Inspired by the title of a poem by the Finnish writer Aaro Hellaakoski, Me Kaksi (which translates to "us two" in English) celebrates the fortuitous encounter, the strange closeness, the presence in the world of two beings. Spanning more than forty years of peregrinations across the world, the photographs in this book, combining a selection of iconic and some unpublished ones, reproduce these fleeting moments seized surreptitiously by Pentti Sammallahti. The idea of the duo, the couple, of all kinds of accomplices appears recurrently in the photographer's work. Whether it is lovers, friends, children, passers-by, travelers, neighbors but also a man and his dog, two birds ... these images tell of attachment, tenderness, the universality of the emotional bond, “being-in-the-world” together.

English Edition.

Ship with a Me Kaksi tote bag while stocks last.




Video courtesy EXB

• EXB 2021
• Hardback, 1st edition
• New

This new series by Paolo Pellegrin celebrates the eleventh title of the collection Des oiseaux (On birds). Magnum photographer best known for his works testifying to political, economic or even ecological upheavals, his curious mind leads him to focus on subjects that are sometimes more contemplative, where nature holds a major place. Thus, during a stay in Japan in 2019, Paolo Pellegrin, who left to witness the blooming of the cherry trees, is more struck by the majesty and the aerial ballet of a colony of black kites flying over the temple of Shimogamo, Shinto shrine of the 7th century, in the heart of a primary forest.

English Edition.


Video courtesy EXB

• EXB 2021
• Hardback, 2nd edition
• New

The first publication of End Time City listed Michael Ackerman as a major figure in photography. Twenty years later, this new edition, reimagined by the artist, presents a selection of his iconic photographs, enriched with many completely new images, taken during his recent trips to Benares, in 2018 and 2020. This new visual corpus gives to see a greater presence of animals in Ackerman's universe. 

The latter takes us on a crazy stroll through the narrow streets of Benares, the most sacred city in Hinduism, which welcomes pilgrims who have come to die here to erase their sins and put an end to the cycle of rebirth.

English edition.



Video courtesy EXB

• Mack Books 2021
• Hardback, 1st edition
• New

Deana Lawson, the first scholarly publication on the artist Deana Lawson, surveying fifteen years of her photography, will be published to accompany the first comprehensive museum survey exhibition featuring Lawson’s artwork. A singular voice in contemporary photography, Lawson has been investigating and challenging conventional representations of black identities in the African American and African diaspora for over fifteen years. Her work samples numerous photographic languages, including the family album, studio portraiture, staged tableaux, documentary pictures, and found images, creating narratives of family, love, and desire. Lawson’s photographs are made in collaboration with her subjects, who are sometimes nude, embracing, and directly confronting the camera, destabilizing the notion of photography as a passively voyeuristic medium. Whether in posed photographs or assembled collages, Lawson’s works channel broader ideas about personal and social histories of black life, love, sexuality, family, and spiritual beliefs. This publication will include selections from Lawson’s personal family photographs and archives of vernacular images that have profoundly informed her work.

Includes essays by Eva Respini and Peter Eleey (curators of the exhibition), Kimberly Juanita Brown (Professor at Dartmouth College), Tina M. Campt (Professor at Brown University), Alexander Nemerov (Professor at Stanford University), Greg Tate (writer, musician, and producer), and a conversation between the artist and Deborah Willis (Professor at New York University).

• Journal 2021
• Hardback, 1st edition
• New

“Bristningar (Rupture) is the middle part of Katinka Goldberg's trilogy of works, in which she is ‘exploring the tension between closeness and distance’, trying, no less, to locate herself both within herself and within the world. The trilogy began with her book Surfacing (2011) which examined the relationship between herself and her mother, in a complex and highly poetic way. In Bristningar, she is making collages, which, like Hans Bellmer's, deconstruct and reassemble the body, but do so with a very different aim, a healing rather than a destructive or pathological purpose. And also a process of add and subtracting, or rather, of adding in order to subtract. 

‘I am trying to answer the question; how much can you take away of yourself without disappearing? How close can you get before the closeness becomes a distance?’

Her intentions are both formal and psychological. On one level, she is pushing at the medium’s boundaries, pushing beyond the imperative of the camera and provoking a clash between photography, sculpture, and painting. On another, she is exploring different aspects of her psyche, using the same kind of allusive approach, but very different formal means to those deployed in her previous book. In Surfacing, it seemed to be a matter of trying to make peace with what seemed to be an obviously close and sometimes difficult relationship, a letting go perhaps. Bristningar seems more of a reaching toward, not to her mother but to herself. By making fragmented collages from the human body Goldberg would seem to be fashioning a visual metaphor, no less, for the process of psychoanalysis, tearing the soul apart, examining the pieces and the data, then reconstructing a more complete whole. In these fragmented and highly abstract collages, Goldberg is utilizing ‘the amputated and then reconstructed body as a way to visualize a fragmented identity that has been mended. Forming a reconstruction of oneself to be seen. Seeing as a way of belonging’.”

Gerry Badger

• Journal 2021
• Hardback, 1st edition
• New

He Called Me a Sparrow is a long-term project where Hannamari Shakya turns her gaze inwards and looks at what she’s been nesting inside. Soon she realised that the traumas that she had were only partly hers – and partly her parents. 

How to describe the indescribable and how to visualise the invisible? 

The book is a visual study of something that cannot be seen. When something cannot be seen, it usually cannot be recognised. When it cannot be identified, it cannot be validated.

Although He Called Me A Sparrow is an index of agony and struggle, at the same time it is a remembrance of love, affection and forgiveness.

• Stanley Barker 2021
• Hardback, 2nd edition
• New

On a map of the south-eastern U.S., the 245-mile Ogeechee River cuts a diagonal path across Eastern Georgia before curling south of the city of Savannah and emptying into the Atlantic Ocean. It is known locally as Blackwater River for its slow moving waters that are like black glass, reflecting the sky and flora overhead and masking the tangle of life forces beneath.

In November 2017, Robbie Lawrence, accompanied by writer Sala Patterson, travelled to the Low Country, the coastal region straddling Georgia and South Carolina near where the Ogeechee River meets the ocean with the aim of documenting the nuances of issues driving news cycles and political divisions through the lens of one place in America.

Blackwater River captures, in image and spirit, Lawrences time in the Low Country – a series of profound encounters and abstract reflections, some inspiring, others harsh but all indelible. Each moment is individually significant while collectively hinting at larger, more elusive truths.

2nd edition.

• Self 2021
• Hardback, 1st edition. 96pp
• New
  

A book to celebrate 200 years since the discovery of Antarctica.

• Akio Nagasawa 2014
• Hardback, reprinted edition
• New

The original 1965 edition of Chizu (The Map) is a legendary photography book that is virtually impossible to catch sight of today.

While relentlessly tracking the “stains” scattered across walls and ceiling of the Hiroshima Peace Memorial, Kawada projects memories of the war through young soldiers’ portraits and letters, ruined fortresses, etc. At the same time, his pictures of iron scraps at factories, Lucky Strike boxes brought in by occupation forces, dumped Coca-Cola bottles, and other indicators of recovery after the war, document the process of overall transformation in postwar Japan.

This edition of Chizu (The Map), renowned as one of the most experimental Japanese photography books, is a complete reprint adopting Kohei Sugiura’s original peculiar design with all photos as double-page spreads.

Signed and numbered edition of 600 copies.