All Books

• Chose Commune 2018
  
• Softcover, 1st edition
  
• Used: good to very good

Over the course of multiple summers, Raymond Meeks has ventured the few miles from his rural home in the Catskill Mountain region of New York, to a single-lane bridge spanning the tributaries of Bowery and Catskill Creeks. Beneath the bridge, a waterfall drops sixty-feet over moss-covered limestone toward a forbidding pond. The local youth have come here from time immemorial, congregating near outcroppings and around a concrete altar – a remnant of an earlier stone bridge. Most allow themselves a brief running start before launching their pale bodies into the void, where tentative suggestions of flight mark the response to gravity. Taken collectively, their gestures allude to ritual, a prayerful response to the exigencies of budding sexuality and a future rife with uncertainty. Halfstory Halflife is a distillation of the photographs made in the shadows of these falls, marked each summer by the emergence of young adults perched at a precipice both in space and in their lives.

Recommended.

Signed copy with some wear to one edge and mark to page edges.  Faint bump to rear corner.  See photos.

Signed in pencil by Raymond Meeks.

• Self published 2024
• Hardback, 1st edition 280p
  
• New

An exploration of Los Angeles’ neighborhoods and transient nature through an extensive typological record of its once-loved sofas.

• Stanley Barker 2024
• Hardback, 1st edition. 72p
  
• New

Larry Clark was 16 in 1962 when he and his friends started shooting Valo - a drug store nasal inhaler that contained a tremendous amount of amphetamine.

Clark returned to his hometown of Tulsa at 20 after two years serving in Vietnam. Here he graduated from amphetamines to heroin, and upended traditional documentary photography, by turning his camera on himself and his social circle, producing a ground-breaking series of raw and intimate photographs chronicling the disintegration of the American dream. 

Clark’s deeply intimate images exposed the previously unseen lives of suburban American teenagers, living a transgressive, outlaw lifestyle, hanging out in crash pads and committing burglaries and armed robberies to score dope. A small number of these photographs would come to form ‘Tulsa’, a cornerstone of contemporary photography. 

50 years on, Larry Clark has returned to his archive of vintage prints, crafting a powerful vision of his work from 1962-1973, to produce his new book ‘Return’, a meticulously printed, outsized monograph, which is as shocking today as it ever has been, even in a moment in which opioid addiction is more prevalent than ever before.

“I’ve always been interested in small groups of marginalized people who no one would know about otherwise.  I photographed my friends over a ten-year period in this secret world that nobody else could have possibly come in and done except someone from the inside like me. You see us from the time we were teenagers up until our twenties and how everything changed and how we changed. There weren’t supposed to be drugs back then. It was supposed to be mom’s apple pie and white picket fences. When I started making work, I said, “Why can’t you show everything?” - Larry Clark 

• Stanley Barker 2024
• Hardback, 1st edition, 104p
  
• New

In the Summer of 1980, Lisa Barlow was following the curve of Connecticut’s Route 69 in a beat-up rental car, when she came across a giant cross looming above the highway.

Barlow had heard about Holy Land U.S.A. but never encountered the painstaking replica in miniature of Jerusalem with illustrative scenes from the Bible, replete with precepts and biblical quotations engraved in cement. 

There was Pilate’s house, the Inn with a “No Vacancy” sign, a mummified lump spray painted white representing Lot’s wife turned to salt, and a repentant looking Lucifer locked in a small dog cage. Built 20 years earlier with concrete, plaster, wire and wood, the diorama had been sparingly repaired with modern materials such as plastic and aluminium siding. The Stairway to Heaven, cracked asphalt steps ascending the hill, had a cyclone fence along one side, and the Garden of Eden was completely obscured by thick vines under a tin sunshade. It was from there that Balow first saw the city of Waterbury spread beneath her, its church spires and factory smokestacks in odd juxtaposition with Holy Land’s little foot high buildings at her feet.

“Before long, it was more than a fascination with Holy Land that kept luring me back to Waterbury. It was the people who captured my attention, my imagination and eventually, my love. This is the story of that year in pictures.” Lisa Barlow 

Barlow’s images of Waterbury and its uniquely American idiosyncrasies are enthused with a rare empathy combined with a visual complexity that continues to unfold with each viewing. 

• the(M) éditions / Ibasho 2024
• Softcover, 1st edition, 104p
  
• New

Watanabe’s second artist book features entirely new images from his latest series ‘Beyond What You See'. Like Japanese writer Haruki Murakami, Watanabe depicts the subjects in his photographs in-between the mystical and the real world, creating a sense of confusion in the viewer. Watanabe’s work has also something similar to the Japanese concept of ‘ma’, a moment of silence or emptiness for awareness and contemplation. His work stimulates the viewer to pause, reflect and engage with the world around us.

Limited edition of 400 numbered copies.

• Session Press 2024
• Softcover, 1st edition. 184p
  
• New

Session Press is pleased to present Solace, the first U.S. monograph by acclaimed Hong Kong based photographer and film director, Wing Shya. Early in his career, Shya was invited by Wong Kar-wai to serve as an on-set stills photographer for films including Happy Together and In the Mood for Love. Granted rare access to the renowned director’s inner circle, over the years Shya captured poignant behind-the-scenes portraits of iconic actors such as Tony Leung, Leslie Cheung, Maggie Cheung, and Gong Li in unguarded moments between takes. These intimate images form the heart of Solace, interspersed with the best of Shya’s commercial shoots, as well as private snapshots of nature and cityscapes encountered on his travels. The resulting collection is a true testament to Shya’s ability as an eloquent storyteller and deeply introspective observer.

Hong Kong has long captured the West’s imagination as an enigmatic Other with dazzling neon lights and a chaotic electric pulse. However, in Solace, Shya reveals a more personal and meditative Hong Kong. Time slows, inviting the viewer to explore the subtleties of interpersonal chemistries from a distance in ephemeral, quiet moments that showcase Shya’s sensitive and intuitive approach toward his subjects. A nostalgic, dreamlike atmosphere emerges in his expired and exposed film, punctuated by flashes of vibrant color. In the words of William Chang, one of Wong Kar-wai’s most important collaborators, Solace is a “moving achievement that deftly captures ephemeral postures and fleeting snippets in time.”

We hope Solace will introduce an international audience to the sublime nuance of Wing Shya’s work, as well as the rich history and culture of Hong Kong as seen through his eyes.

• Ediciones Posibles 2024
• Hardback, 1st edition. 108p
  
• New

"Promenade was born from the need to speak in silence, to explode, to free myself in order to heal through the photographic practice of self-portraiture, walking through my emotions to recognise the fragile, sad, strong and brave woman in me".

This is how Leila explained her need to place herself in front of the camera as a therapeutic process of self-knowledge, but also as a cry to share the intimacy of her state of mind. The plastic force of her images takes us into a world where the frontiers between the fantastic and the real become blurred while her protagonist urges us to decipher the secret codes that inhabit them.

Alex Llovet's edition deliberately avoids the chronological order of the photographs, taken over ten years, and proposes a metaphorical journey from darkness to light.

As Frida Kahlo said: "I paint self-portraits because I am alone a lot. I paint myself because I know myself best. 

Edition of 400 copies. Pages guillotined before folding to create an irregular cut / handmade aesthetic. Tritone printing.

• Ikki Books 2024
• Hardback, 2nd edition. 80p
  
• New

"I am a darkroom artist based in Helsinki, Finland. My small individual photographs examine the themes of absence, presence and outsiderhood. My characters appear immersed in their inner worlds and moments of being: simultaneously absent and intensely present. The pictures also reveal the outsider’s gaze, lost in observation and reflection. My pictures are true observations captured with minimal interaction with the subjects. Their origin is in the act of looking, and they feel causally connected to the world.

The craft of printmaking is inseparable from my artistic expression. I work solely with black & white film and the darkroom. The slow, contemplative process lends the pictures a calmness. I make physical pictures I want to stare at, feel and become
lost in. Again and again.’’  

2nd edition of 500 numbered copies.

• Self-published 2024
• Softcover, 1st edition. 82p
  
• New

"Bone by bone, hair by hair, Wild Woman comes back. Through night dreams, through events half understood and half remembered…” ― Clarissa Pinkola Estés

Printed on Fedrigoni Arena smooth extra white , handbound in a Japanese stab binding by the artist

Edition of 150 signed and numbered copies.

• GOST 2024
• Hardback, 1st edition. 372p
  
• Fine

The History War is a book of photographs, collages and ephemera which beings with a timeline tracing Ukraine’s evolution from the 5th century and its long struggle for independence. The book is divided into six narratives documenting the events and people Larry Towell encountered in his many journeys to Ukraine

Towell first visited Ukraine at the time of the Maidan uprising in 2014, witnessing the final days of the violent clashes between the protestors and police in Kyiv. His photographs show the civilians behind makeshift barricades with home-made weapons, the heavily shielded police and the aftermath of the dead in a half-destroyed Maidan Square. It was this event which led to Towell’s long-term commitment to Ukraine and compelled him to return over the years.

The second chapter focuses on Towell’s time in the wastelands of Chernobyl, site of history’s worst nuclear disaster in 1986 which resulted in many Soviets losing faith in the system. The following chapters focus on Towell’s time on eastern Donbass—a region of neglected coal miners and de-occupied ruins, an embed with the Ukrainian Army in Bakhmut, time with separatists in Donetsk and Luhansk, and finally, the Russian invasion of Ukraine, including the exhumation of civilian
graves and crimes against humanity in Bucha.

Described by Towell as ‘one person’s book on Ukraine’ The History War challenges the possibilities of a photobook and demonstrates how storytelling can be woven together by different fabrics. Taking on the format of a scrapbook, Towell combines
personal notes with ephemera—postcards, found family pictures, playing cards, cigarette packets and rubbish left behind by Russian soldiers to supplement his images.

‘I believe this project is an important testament to a political crisis that will shape international relations and reverberate through the decades to come. It also challenges a world oversaturated with news pictures.’

Signed copy. Blue cover.  Display copy in fine condition.

• Skeleton Key Press 2024
• Hardback, 1st edition. 112p
  
• NEW

Katia Berestova’s new book, Out of Time, invites viewers into a symbolic, dreamlike world that intricately blends beauty, decay, reflection, and transformation. As a self-taught and prolific artist, Berestova uses photography to actively engage with the ever-changing essence of life and its significance. Her art is a vocation, a continual process that intertwines with life itself, conveying the core of existence and giving rise to a personally initiated realm of beauty, spirit, and dream. The collection of works presented in Out of Time, curated from Berestova’s early to most recent works, weaves layers of meaning into a visual narrative with time as the common thread. Scenes often depict evidence of decay or are set against a backdrop of deterioration, rendered in black and white, bringing shadows into light, both technically and metaphorically. Ultimately, the book serves as a hopeful exploration of the pursuit of light and harmony in a dark world. It is representative of an ongoing interaction resembling the sign of infinity where everything flows in and out, demonstrating the profound and transformative power of art.

• GOST Books 2024
• Hardback, 1st edition. 112p
• NEW

• Session Press 2017
• Softcover, 1st edition 216p
• NEW

One of the most influential photographers of our time, Nobuyoshi Araki is known for his diaristic style or “shi-shashin” (I-photographs) in the publication of over 500 books throughout his career. His work has become practically synonymous with Japanese photography; closely associated with bondage, sex, his late wife, Yoko, as well as still lifes and nudes. It is, however, less known that Araki had explored experimental film projects since the mid 1980s.

In 1986 at Cinema Rise in Tokyo, Araki staged a live performance entitled Tokyo Monogatari (Tokyo Story). Using two projectors, Araki and his assistants, Nobuhiko Ansai and Shiro Tamiya, selected and sequenced slides to create a succession of overlapping images fading into one another, accompanied by a musical soundtrack. Tokyo Monogatari became the first in a series of live performances entitled Arakinema, which he staged until the mid-2000s in museums and art institutions around the world.
Blue Period and Last Summer are made up primarily of nudes and portraits alternating with street scenes and images of flowers. The majority of the work is derived from Shashin Jidai, the important underground sub culture magazine of the 1980s in Japan. Our publication singles out these two projects as they are essential to an understanding of his film work. As Araki explained at his initial meeting with Session Press publisher Miwa Susuda in Shinjuku in 2016, “The two films should be seen as a set, since Blue Period is about the past and Last Summer is about the future. By removing color using a chemical solution, Blue Period is about an act of subtraction, whereas adding color to the images in Last Summer is about an act of addition. This project is just like life itself.”

Working directly from the 140 original slides used for both projections, the book successfully offers a fresh review of the photographer’s hidden oeuvre and regains the true spirit and atmosphere of the original Arakinema performances.

Sealed.

• Lamaindonne 2021
• Hardback, 1st edition
• New

From Berlin to Saint Petersburg, passing through Odessa or Italy, the ultimate location of this photobook is the night. Alisa Resnik crosses it, explores its entrails, on a path to meet it, in the desert streets and landscapes where few stealth figures creep in, in the pale interiors, and where fragile and sometimes ecstatic faces appear. Smothered glimmers of light to color splashes in the shadow, the photographer describes what could seem to be a form of wanderings, but turns out to be her path and her story. The story, subtle and quivering, of she who is not from anywhere and yet fully belongs to this nightly world. Through her powerful images, she reveals the beauty and the grace of that nightly world. And, like a hospitable home, it welcomes her and wraps itself around her. Along the pages of this long awaited photobook, Alisa Resnik takes us with her and we abandon ourselves to both the brutality and the gentleness of the night.

Signed to a sticker on credits page.   

Text in French

• Self-published 2024
  
• Softcover, 1st edition
  
• New
  

The Portuguese word “Saudade” refers to that bittersweet feeling of longing, melancholy, desire, and nostalgia for a beloved yet absent person or place.

I spent my adolescent years in Brazil, mostly in remote parts of Minas Gérais and Goiás. Although I moved to Rio as soon as I finished my studies in Europe, it was those formative pre-teen and teenage years, surrounded by forests, rivers and cattle ranches, that had the most profound effect on me. The moment I arrived, I felt an instant connection to the land, to the fauna and flora and to the people.

Despite the fact that I lived in Brazil during the brutal military dictatorship, my memories have mostly been idealised. They are usually nurturing, comforting and inspiring, in spite of the feeling of violence that permeated much of the country at that time. 

Working on this project has been a cathartic process. It has helped me reconcile my loss of this beloved place as well as the sense of loss, that occurred the moment I left, of part of my identity. The project has helped me come to terms with the fact that part of my brain will forever be filled with a language I still dream in but hardly ever have the opportunity to speak. This project is a way for me to communicate my love for this country. 

Over the past few years, whenever a scene or moment reminded me of my life in those places in the 70s and 80s, I photographed it. Together these images, made in various other countries, have become a visual expression of my saudade of Brazil. 

Handmade signed and numbered edition of 14 copies only, 21x15cm, with 3 signed postcard size prints on heavyweight matte paper.

Final copy.

• Akio Nagasawa 2024
• Softcover, 1st edition. 104p
• New 

My daughter took me for a ride in her car the other day, and drove me to Yokohama. I hadn’t been there for quite a long time, so I was happy to roam the streets of Yokohama with my camera in my hand, always ready to shoot. We parked the car near Kannai Station, and after walking for a while, we arrived at Isezakicho. When I looked up, I noticed (the female singer) Mina Aoe smiling down at me from a giant billboard, and being happily reminded once again that I was in Yokohama, I took quite a few snapshots. That was when I caught sight of a group of cheerful girls parading on the other side of the street, which instantly had me clicking away to all sides. The streets were getting crowded, and seeing the skyscrapers of “Minatomirai” behind the buildings along the avenues, I couldn’t help but feel strongly impressed at how much Yokohama had changed.

Before – in fact quite a long time ago – I often made trips to Tokyo together with the photographer Takuma Nakahira, who was also living in Zushi back then. We would take a train on the Yokosuka Line, and then change to the Toyoko Line at Yokohama. But once we were at Yokohama, instead of jumping on the next train, it happened ever so often that we walked out of the station on a whim, down to the Sakuragicho area, and into a coffee shop where we would end up drinking coffee for hours. Even when I suggested walking around a bit more and taking photos in the neighborhood, Nakahira was only interested in the scenery around the port of Kawasaki at night, so over his coffee he just kept talking happily about things and people. like Godard, or the songs of Mina Mazzini, my favorite singer at the time.

When I think about it now, my only memories related to Yokohama are those of Nakahira shooting like crazy when the two of us eventually went to the port of Kawasaki at night, and then again at the time of his exhibition at the Yokohama Museum of Art.
The present cityscape of Yokohama has piqued my curiosity.

I guess I will continue going there every now and then, and take a bunch of photos."

– Daido Moriyama

Signed copy.

• Stanley Barker 2024
  
• Softcover, 1st edition, 120p
  
• New
  

The quiet images of a waning American landscape featured in Jason Lee’s new book TX | CA 19 were made in June and July 2019 on a drive to California from his adopted home state of Texas. This would be the last of such photo outings before he would relocate back to his native Southern California that September.

“Many of these color photographs were made along and surrounding Highways 287 and 40/66, from Decatur, TX to California—a stretch that I’ve travelled one direction or another many times now and have become extremely fond of, making it a point to revisit certain locations and produce current photographs (collecting time-span exposures of familiar sights is for both curiosity and pleasure and remains ongoing). And so you will find quite a few scenes repeated in this companion to TX I CA 17. 

"Here, however, when in California this time, despite having photographed in the desert east of Los Angeles between Highways 40 and 10 where I’d previously made a handful of the pictures seen in the California section of 17, I didn’t expose any color film. Instead, the California images in this offering were made northbound along Highways 14/395 and 6 after departing L.A. for the drive home. A route that I don’t take often enough and did not take two years prior. Beautiful country out that way. And coincidentally it was thereabouts that I made some of my first pictures from the road when I started photographing the American landscape in 2006.“

• Nazraeli Press 2024
  
• Hardback, 1st edition, 16p with print
  
• New
  

In 2015, Daido Moriyama stopped in Los Angeles to photograph the westside following a museum opening of his work in Houston. For two days, he photographed in Santa Monica, Venice and the Marina, in alleyways and private homes. The resulting photographs are presented in his newest contributions to our One Picture Book Series: Daido "Uno" (black and white) and Daido "Dos" (color).

Small format hardback 6" x 8 1/2", 16 pages. Limited to 500 numbered copies, each including a 5"x7" original print that has been signed by the artist.

• Void 2024
  
• Hardback, 1st edition, 168p
  
• New

In 1667 a 12-year-old girl, Gertrud Svensdotter, was accused of walking on water in Älvdalen, Sweden. This event marked the beginning of the Swedish witch-hunts, a period of mass hysteria and horror in Älvdalen and its neighbouring regions. The book ‘Gertrud’ by artist Maja Daniels uses photography to reconfigure the history and myth of these events, igniting a contemporary dialogue around Gertrud.

Edition of 900 copies.

• Roshin Books 2024
  
• Hardback, 1st edition, 80p
  
• New
  

Born in Aomori in 1924, Ichiro Kojima depicted the lives of people living in the harsh environment of Japan’s Tohoku region. Under the vast sky, he faced the landscapes spread before him with his camera in hand.
 
His career as a photographer lasted only about ten years. Kojima, who passed away suddenly at the age of 39, left behind a dramatic world that still resonates with us today. Despite his attempts to distance himself from the images of Tsugaru, Kojima could never escape the persistent imagery of the Tohoku region that followed him everywhere.
 
This book offers a new perspective on Kojima’s journey, appealing both to those already familiar with his work and those discovering it for the first time.

Text in English and Japanese.  Edition of 1000 copies.

• Trolley Books
  
• Hardback, 2nd edition, 224p
  
• New
  

"For a very long time motherhood was considered somewhat taboo in the art world. As long as I can remember, female role models I admired openly talked about their choice of career over family. Some might have had children but never talked about their insecurities or sacrifices. Artist and talent awards age limits usually are 35 or younger. But as soon as a woman turns 30 she is often viewed as old and her biological clock ‘is ticking’. The years to make the choice between having children or being successful are short and coincide with the years when one or the other might happen but none are guaranteed.

When I realised I was pregnant, I had no idea what awaited me. How messy and how raw, how unpredictable and how out of control motherhood really was compared to the images I had in my mind from films, photos, paintings done by men. Then I was an emerging artist, traveling around and going to art fairs and exhibition openings. Now I am a mother of two working on borrowed time hoping the years I’ve lost mothering can be written into my CV without guilt or shame.

This work in progress, which will always be a work in progress, is about becoming, understanding, and remembering. Trying not to forget all those things that once seemed so important, and the minute you think you know it another challenge appears. How can something so universal as motherhood be so lonely? How come we all have to experience it and there are no answers to all those struggles? What about our bodies, our hormones, our thoughts, our friends, our loves? Our careers, our homes, our dishes, our laundry, our sexual desires? What happened to our freedom, our showers, our sleeping hours?

I love being a mother. I also loved being an artist."

- Andi Galdi Vinko

Hardback with exposed spine, 224 pages, 16.5 x 22cm

2nd edition with pink endpapers.

• Tall Poppy Press 2024
• Softcover, 2nd printing, 64p
• New
  
  

Morganna Magee’s Extraordinary Experiences encapsulates a world that feels like it is looking back at you. Never a passive mirror, the seductive romance of nature lures us in only for jump scares and that leads to morbid curiosity. Everything seems the wrong type of fragile: one misstep from a twisted neck or a nameless, quiet death. Tenderness is a form of mortality, not romance.

If this world is a mirror, it sometimes shows us what we don’t want to see. Flashbacks and deja vu unexpectedly bring back memories we have tried to forget but haven’t been able to. Like your first childhood experience alone in the woods, agraphoic and terrified, suddenly the menacing and uncaring side of life seems all too real. Nature’s too old, too ancient, has seen too much for one to feel entirely comfortable.

Moving between tension and relief, Extraordinary Experiences is not a quiet reflection of peace among nature, but a snatch of a dream you’re relieved you woke up from before it became a nightmare.

2nd printing of 100 copies.  Signed copy.

• GOST 2024
  
• Hardback, 1st edition, 88p
  
• New

Adam Ferguson began photographing Australia’s interior in 2013 in an attempt to dispel sentimental and outdated narratives around the ‘Outback’—a place central to the identity and development of modern day Australia. His photographic survey, made over a 10-year period, depicts fading traditional events, shrinking small towns, Aboriginal connection to Country, the impacts of globalisation and the adversity of climate change to illustrate the complex realities of contemporary life in the ‘Outback’.

The ‘Outback’ has no demarcated border but refers to Australia’s vast and sparsely populated interior—73 percent of Australia’s territory, more than two million square miles—is inhabited by just 5 percent of its 24 million people. In spite of its relatively small population it is an important and diverse segment which defines the character of the country and has been  mythologised in poetry, song, literature and screen. 

Ferguson was originally inspired by Richard Avedon’s portrait project, ‘In the American West’—which shattered romantic notions of the west. Ferguson’s project is similar in scope and ambition but stylistically divergent. As the project evolved it became evident that portraiture alone could not narrate the stories of the people he met. 

‘Part of the experience of living in this huge, sweeping landscape is the relationship each individual has with the land and environment. It made sense to position everybody in the spaces they  occupy. I wanted to construct a scene which complemented, or reinforced the stories of the people I photographed.’

Signed copy.

• Trespasser 2024
  
• Hardback, 1st edition, 108p
  
• New

Set amid the extreme heat and sprawling concrete of Tucson, Arizona, Dogbreath is a photobook that depicts a series of restless adolescents as they navigate a fraught and changing world. Through photographs of urban decay, sun-faded neighborhoods, scenes of mosh pits, and punk youths alongside their feral dog counterparts, the book paints a sympathetic view of teenagers adrift in what remains of their adolescence. Interspersed with elliptical texts about a mysterious boy named Dove, who speaks of underground pagans, scrap salvaging, and the search for gold, Dogbreath presents an enigmatic, psychologically engaging portrait of youth on the edge.

11.5x15 inches. 108 pages. 55 tritone plates on uncoated paper. 3 variations of cloth cover with tip-in image and foil stamp text. 

Please note that when you purchase this book, the colour will be selected at random.

• Eriskay Connection 2024
  
• Hardback, 1st edition, 112p
  
• New

“The tiny creatures that run the world,” is how myrmecologist Edward O. Wilson described insects. They are nature’s cleaners, food for many other species and are essential for the pollination of plants, including our crops. For years, their populations have been plummeting dramatically due to habitat loss and the use of pesticides. It is vital that we stay connected with them and that is why they deserve a stage to put their importance and beauty in the limelight.

Rogier Maaskant’s (NL) enchanting images unveil a diverse array of insects in flight during twilight and nighttime – in forests and above fields, ditches, and ponds around Rotterdam. By using strobe light, his single exposures provide a unique view of the flight of caddisflies, moths, lacewings, dragonflies, gnats, and various other species that illustrate the rich biodiversity.

For Sense of Presence, Maaskant collaborated with scientists and butterfly experts. His work is in line with the current era of renewed interest in nature and a widespread awareness of the need to protect it.

With an essay by Auke-Florian Hiemstra, science communicator at Naturalis, Leiden.

Signed copy.