Photobookstore

• Stanley/Barker 2020
• Box set of 45 facsimile polaroids, 1st edition
• New

Often considered Jim Goldberg’s seminal body of work, Raised By Wolves collages ten years of photographs, texts, films and installations into an epic narrative of the lives of runaway teenagers in San Francisco and Los Angeles in the late 1980s and early 1990s.

In Fingerprint, Goldberg exhibits many never-before-seen Polaroids from the project, which served as drafts for photographs he would later make, as well as gifts for the subjects themselves. The images are sometimes scrawled with text proclaiming the identities, challenges, and resilience of the teens, and other times capture a quiet reality of life on the street.  

Encased in a limited edition box set, the 45 loose leaf facsimile Polaroids create a freshly intimate and fragmented account of this classic body of work.

• Self 2021
• Softcover, 1st edition
• New

This book is about personal loss against a backdrop of the global pandemic.

Handmade softcover Japanese stab-bound edition of 7 signed and numbered copies only.

• Self 2021
• Hardback, 1st edition
• New

This book is about personal loss against a backdrop of the global pandemic.

Handmade hardback edition of 4 signed and numbered copies only, each with a 7'x"5 print.

• FW 2021
• Hardback, 1st edition
• New

In 2018 Stephan Keppel started collecting works and stories of Amsterdam; the city where he lives, and works. The city is constantly changing, and so are the visible, invisible, social and historic structures. In ‘Soft Copy Hard Copy’ Stephan Keppel explores and organizes these structures, creating an organic index of the city. This book is part of Keppel’s ongoing research on the public space, urban structures and reproduction, and is combining his own photographs with re-photographed archival material, texts and other (online and offline) found footage.

• Self 2020
• Hardback, 1st edition
• New

“Recurring recollections of his time in a town started infiltrating the dreams of a photographer, pushing him to return to the dream and leaving reality.”

"blue affair" is an experimental shortfilm and a photobook based on the photographer's dreams of his time spent in the town called Koza.

In the pictures captured in Koza by Kosuke Okahara, I don’t see the photographer. It’s not because he was the one photographing, or for some other physical reasons. I don’t find superficial emotions emanating through his lens from either the subjects or from the photographer. This might not make sense, but it feels to me as though while the photographer was with his subjects, looking directly at them, he was actually observing from another realm. What is left are pictures free from superficial emotions such as warmth and sadness and left with an almost unbearable weight of presence. Without a doubt, in those moments, while sharing the same space, he was observing from some other dimension.

- He was surely in the dreams.

Tatsuya Ishikawa / Creative director
(An excerpt from the afterword of the book)

Signed copy.  Edition of 800 copies.

• Kominek 2020
• Hardback, 1st edition
• New

From 2012 to 2019 Mark Steinmetz took photos on the streets of Berlin. This work now comes together in the book Berlin Pictures.

Steinmetz visited Berlin between 2012 and 2019, each time photographing its streets and citizens with the care and compassion that he reserves for all of his subjects. Within his images of Berlin, we find the closeness of couples and strangers that we find in many of his works and yet, Mark adds a new layer to the work by investigating details of the city itselfits architecture and its streets align in Mark’s viewfinder and he renders each frame, inhabited or not, with an eye for the details of the moment. Berlin is a unique city and Mark adds a new layer, one less marginalized by the weight of history, but rather by the acceptance of its condition of present being in his Berlin Pictures.' - Brad Feuerhelm

• Kominek 2020
• Hardback, 1st edition
• New

From 2012 to 2019 Mark Steinmetz took photos on the streets of Berlin. This work now comes together in the book Berlin Pictures.

Steinmetz visited Berlin between 2012 and 2019, each time photographing its streets and citizens with the care and compassion that he reserves for all of his subjects. Within his images of Berlin, we find the closeness of couples and strangers that we find in many of his works and yet, Mark adds a new layer to the work by investigating details of the city itselfits architecture and its streets align in Mark’s viewfinder and he renders each frame, inhabited or not, with an eye for the details of the moment. Berlin is a unique city and Mark adds a new layer, one less marginalized by the weight of history, but rather by the acceptance of its condition of present being in his Berlin Pictures.' - Brad Feuerhelm

• RRB / The Hyman Collection 2020
• Hardback, 1st edition
• New

Fairy Tales and Photography, or, Another look at Cinderella is a facsimile of Jo Spence's masterful BA thesis. Written in 1982, the thesis will be published in full for the first time this December. The thesis has been faithfully reproduced and bound in luxurious red cloth. It is accompanied by sister publication Class Slippers by Frances Hatherley, with a preface by Marina Warner. Available in a limited edition of 450 copies

"In Fairytales and Photography. Or, Another Look at Cinderella we are invited to take a look at the ambitious and wayward 1982 BA dissertation of the cultural worker and photographer Jo Spence. She asks ‘How do we take a story like Cinderella out of the archives, off the bookshelves, out of the retail stores and attempt to prise out its latent class content? Its political and social uses?’ Her chosen approach draws on her politics as a socialist feminist to inform her enquiry, untangling the interconnected gender and class oppressions in these historic tales.

"This dissertation brings together subjects, both personal and political, that she grappled with throughout her life: social class, family histories, sexuality, representation of women and visual ideologies. Her work drew on her own lived experience of being a woman from a working-class background, her battles with cancer, mental health, education and her family history, but throughout she was always socially minded, with an eye on the structures of power that shape our lives.

This is the first time the thesis has been published in full. It is in these pages that her career’s key concerns jump off the page and the seeds of later work are sown, that her previously free-floating discomfort and distrust around societal norms and patterns become crystallised into powerful arguments that go on to mobilise future projects. In this funny, scrappy, smart and insightful work, we are encouraged to take another look at Cinderella – and once we have, fairytales will never look the same again." - Frances Hatherley