Jungjin Lee

• Nazraeli 2023
  
• Hardback, 1st Nazraeli edition, 120p
• New - see below

To distill a feeling
You must still your feelings.
But the mind is its own mirage,
The desert a looking-glass.

“Making pictures in Israel and Palestine was above all an emotional challenge. My photographs usually deal with something eternal in the landscape, but in this place the layers of history and conflict, fear and hostility, frustrated my camera. I happened to travel a lot in the West Bank, not for any political purpose, but because I liked the landscape between the cities. I tried to gaze at the land, without prejudice or judgment. I didn’t want to deal with the masks of the people and I didn’t want to put on my own mask. I wanted to see it as the olive tree sees it. But I felt overwhelmed by the realities around me. I felt sad and uncomfortable much of the time, and I found myself trying to make photographs in a place I didn’t want to be. It was difficult, but looking back, I can see that it forced me to change as an artist and I am grateful for that. On my final trip, I was able to see, not only the land, but my own mind, with its uneven terrain and movements, and to touch something elemental.” ― Jungjin Lee

This new, expanded edition of Unnamed Road was designed by Jungjin Lee, and published on the occasion of an exhibition at GoEun Museum of Photography in Buson, South Korea.

Hardcover, 10 x 11.5, 120 pages, 58 quadratone plates.

Note: Due to the nature of it's design, faint wear is possible to the edges and corners of the hardback cover despite the books being still sealed - see example photo of a corner.

Final copies of this now out of print edition.

• Nazraeli 2023
• Hardback, 1st edition
• New

Jungjin Lee’s extraordinary new artist’s book, Voice, comprises 46 large-scale photographs made in 2018 and 2019. While the photographs were originally made in deserts, mountains, oceans and plains, the artist writes, “My images should be seen as metaphors, a form of meditation. I do not depict landscapes or nature. The desert allows me to see my inner self, and my goal is to make images of what I feel there: the eternal sense of being open and present to the world.”

Lee’s work has expanded the boundaries of the photographic process to create images that are simultaneously textural and minimalist. After printing an image on hand-emulsified cotton or mulberry paper, she then alters its finish, using technological processes that result in a distinct, high contrast image.

Born in Korea in 1961, Lee began photographing while a student at Hongik University in Seoul, where she earned a BFA in ceramics in 1984. After graduating, Lee worked as a photo journalist and freelance photographer. She earned an MA in Photography from New York University in 1991. While in New York City, Lee worked for the photographer Robert Frank. Later, she traveled across the country and was deeply moved by the American desert, which became the subject of several of her photographic series.