THE GRAY LINE is Laura Rodari’s first book, ‘the work who came out of visceral feelings and melancholy’, as she would tell you. Laura whispers, sometimes. She does it to time, to thoughts, to the universe and to its inhabitants. The response is mutual, bodily gut-deep mutual. Landscapes bend under her eyes, faces crumble, time evolves in the opposite direction and its arrow moves continuously as the most unrest being. THE GRAY LINE is this place in between past present and future, barely visible, an acknowledgment of absolute solitude. Both the origin and the end, along with light, beauty, joy and death. Nowhere life is more viscerally needed.
the womb is frail, the distance ephemeral, the consumption of a latent promise, the fog, the sentimental no, the agreement of death, the key to the senses
the lack of language, hers, after her.
the womb is frail when empty, the presence ethereal, time produces quakes on the shroud of eternity, the thickness, the density, nearly here never again
men and women walking, the darkness they bear, beating the glimpsed years ahead until they are, you Mother, the dim and the faint, flowers in your garden smell, they died and they bloomed again, they die and they bloom always.
Slipcased edition of 300 handmade copies. 61 images of which 24 torn and tipped in.
Final few copies with faint bump to slipcase (see example image)