Recent arrivals

• Photo Editions 2023
• Hardback, 1st edition with print
• New

Special edition of 100 signed and numbered copies with a signed print - a choice of 4 prints is available, 25 of each - choose your print above.

Signed and numbered C-Type lustre prints, size 11” x 9”, hand printed by the artist and supplied in an archival conservation envelope.

The photographs in Folly, the debut photobook from Jamie Murray, were born from a series of conversations with individuals who have been incarcerated. Discussions of what had led to punishment, navigating the prison environment and the transition to freedom flowed towards philosophy, ideas of discipline and punishment, intertwined with questions around natural order and spirituality. The resulting allegorical photographs in Folly refer, both directly and indirectly, to what was said and how these conversations affected Murray.  

Murray first began speaking to the individuals in 2017 in an attempt to understand more about their experience with the aim of making a documentary series within a prison. Most had been in numerous prisons over long periods of their life, often multiple times, and Murray hoped to document these meetings and brought along his camera. Some individuals would allow portraits, and others not. As the conversations evolved, so did the project, as the encounters led him to reflect upon his own life, choices and history with meandering thoughts and emotions relating to what had been discussed.

The pictures in the book begin with an imposing folly - an ornamental structure of no purpose, both foolish and excessively costly. The images that follow, a pile of coins glistening in the undergrowth, gathered crows, a fish gasping for breath outside water, rows of butterfly pupae, interweaved with haunting portraits of some of the individuals evoke a fractured narrative, a rumination on these conversations and the relationship between man and nature, co-existence and interference. 

The regular edition of Folly is available here.

• Overlapse 2023
• Softcover, 1st edition, 208p
• New

Desire Lines looks at migration as an inherently human act – one that has defined human history and the geopolitical framework of our planet. Shipley’s photographs are seen in dialogue with interviews from migrants and long-term residents, 20th century oral histories and 19th and 20th century archival photographs. This mix of time and perspective highlights a region long marked by migration, individual desire and preservation, but also systemic dominance and colonial control, hidden in hundreds of square miles of remote terrain.

Desire Lines follows old and new movements through the desert landscape of the Sonoran borderlands of the United States and Mexico: paths taken by migrants and border agents, of missionaries and conquistadors, of indigenous people and industrialists. The messy and at times violent collision of peoples has created a region that defies the harmfully simplistic narratives so frequently attributed to our borders.

Shipley’s photographs focus on the disorienting experience of this landscape – a place of beauty or danger depending on the perspective of those moving through it. Deceptively empty, the landscape is under constant watch, heavily surveilled and controlled, with an ever-increasing military presence that has seeped into the lives of residents in surrounding communities.

• Dewi Lewis 2022
• Hardback, 160p
• New

Originally published in 1983 by Jonathan Cape, Sirkka-Liisa Konttinen’s Byker is recognised as a seminal body of work and a modern classic of photography. Konttinen documented a close-knit community in Newcastle in an area that was her home for seven years and which was destined for wholesale redevelopment. The work gained national recognition as a key photographic account of a rich working class culture on the eve of its destruction. The book was selected by The Observer as one of the top ten books of the year.

Sirkka-Liisa Konttinen is a Finnish-born photographer and filmmaker and a founder member of the Amber Film & Photography Collective and the Side Photographic Gallery based in Newcastle upon Tyne. Along with Byker, her other long term projects in photography and film include Writing in the Sand, Letters to Katja, The Coal Coast, Song For Billy, Step by Step, Keeping Time, Byker Revisited, Today I'm With You and Still Here.

In 2011 Konttinen’s photography and Amber’s films were inscribed in the UNESCO UK Memory of the World Register as being of outstanding national value and importance to the United Kingdom

• Walker Art Center 2010
• Hardback, 1st edition
• Used: Near fine

From Here to There: Alec Soth’s America is the first exhibition catalogue to feature the full spectrum of the work of Alec Soth, one of the most interesting voices in contemporary photography. Featuring more than 100 of the artist’s photographs made over the past 15 years, the book includes new critical essays by exhibition curator Siri Engberg, curator and art historian Britt Salvesen and critic Barry Schwabsky, which offer context on the artist’s working process, the photo-historical tradition behind his practice and reflections on his latest series of works.

Geoff Dyer’s “Riverrun”- a meditation on Soth’s series Sleeping by the Mississippi – and August Kleinzahler’s poem “Sleeping It Off in Rapid City” contribute to the thoughtful exploration of this body of work.

Also included in the publication is a 48-page artist’s book by Soth titled The Loneliest Man in Missouri, a photographic essay with short, diaristic texts capturing the banality and ennui of middle America’s suburban fringes, with their corporate office parks, strip clubs and chain restaurants.

Signed by Alec Soth.

Used copy in excellent near fine condition.

• Blow Up Press 2022
• Softcover, 1st edition
• New

We are our own universes. Each of us. Life is a journey through an immeasurable collection of such universes. How this journey will go, where it will take us, is not only up to us. Hence our being lost, waiting for a helping hand or a happy coincidence. Hence our projections of the future, but also memories of the past. Everything comes back. Panta rhei. But somewhere on this trail, each of us finds this one and only place that is home. Home not in a sense of the material four walls, but such constellations of different universes that together make up this space that can be called that. And this is the most beautiful part of it. In his newest book, Damien Daufresne unveils the secret of one such universe - Undertow.

As Marie Belorgey writes in her essay: “The pictures open and fold back on themselves by turns. They renew their sound, their weight, unfold their depth, or don’t, depending on the moment. The skins’ grain answers the photographic material’s, alternately expanding and tightening like starlings in flight, unravelling the metamorphoses of a same, luminous momentum, a flesh shared by beings and places, manifested following different degrees of density, permeability, transparency. And here and there the film, scratched, smeared with salt, studded with fingerprints, meets with the texture of a world we can feel is loved in all its forms, embraced according to the paradoxes it vibrates with.
 
It’s about beginnings, perhaps about ends, articulated in an open ellipse that marks out the moving, growing heart of things from crest to crater. Fusion, separation, thresholds. A path traced between times, reigns, elements. Relentlessly redrawn. The living wave throughout, precarious pier between waters unmeasurable and sky, of dust animating into a landscape, from whale to butterfly. All the way to winged concrete.”

Signed copy.

• Setanta 2023
• Hardback, 1st edition, 156p
• New

A Country Kind of Silence continues my internal exploration of feelings surrounding my sense of identity. A sense that belonging isn’t as unattainable as it is hard to grasp. I still hesitate when anyone asks me where I’m from, no doubt a question owing to my unusual accent. England has been my adoptive home for some time now, 26 years to be exact. However, moving from where my heart is rooted has had a profound effect on me. Feelings of unease and uncertainty have always been with me and many of these are tied to the constant changes I see in my surroundings; these developments have often mirrored a change in myself as time’s gone by. 

I wanted A Country Kind of Silence to be a response to this change – of perception and my personal sense of self. I want to celebrate this transitional period with images that show a quiet calm, a moment of silence capturing various tropes of the past before they are lost and forgotten. I associate these visual cues with my adopted sense of identity – I am always in search of cultural symbols to anchor my identity to.

I often think of my relationship to the images I shot, both the ones that were selected and the ones that were not, and how they each help me understand the place I’m in. The pink and blue hues just off a Kent high street and the faded-peach tones of a Brightonian hairdressers say so much about who we were and how we did things but also where we are now and where we are headed. Hand-stenciled signage in Great Yarmouth roused me to capture that image – signs like this are representations of a time and a place and everything in between, reminders that these sites once thrived. We pass them often – sometimes daily – and pay them little attention, except when their dilapidation stands in stark contrast to the new.

For me, these relics chronicle my own understanding of place – they have become a sort of roadmap to understand who I am, where I am and what my surroundings mean. I am forever assessing change, updating my knowledge to reinforce my sense of belonging. The urban landscape is borne entirely from our creation and it tells us so much – We plan and build, reap and destroy and repeat the process as we pass through. It’s easy to forget that many of these things still bear the influence of the past - telling us much about ourselves while stuck in time, surviving, struggling and sometimes just about existing.

- Ian Howorth


Signed copy.

• Mack 2023
• Hardback, 1st edition
• New

‘I wanted to do something so absolutely different, and physical, and in a certain way, kind of ill-conceived… I took my camera and went underwater in a bunch of pools. And made pictures.’

Between 1978 and 1982, in a departure from the collaborative conceptual work that he had become known for, Larry Sultan photographed people learning to swim in public pools in San Francisco. Initially inspired by black-and-white documentary photograhs he found in a Red Cross swimming manual, Sultan soon began exploring an urge to create pictures that were physical, sensual, immersive, and painterly. The resulting work is saturated with colour and inflected by the unpredictable forms and chance abstractions which emerge through the distorted refractions of the water as a second lens. Often beautiful and regularly unsettling in their ambiguity, the series builds to create a feeling of sensory immersion alive with the fluid and uncertain atmospheres to which Sultan was drawn.

This collection presents all the pictures from the series Sultan himself chose and exhibited, and expands to include additional images he marked on contact sheets as well as further selections from his archive which he likely never even reviewed.

• Mack 2023
• Softcover, 1st edition
• New

Funny, profound, absurd, and filled with unexpected beauty, this new photobook from American artist Jason Fulford is a collection of twelve stories drawn from a decade of encounters with Italy. Taking the form of a novel-sized paperback, the book includes meetings with ball-breaking bakers, an exploding museum cellar, Aldo Rossi’s notes on happiness, the center of the Earth, and Guido Guidi’s garage.

Fulford’s pictures are deceptively simple, imbued with a gift for composition that brings forth metaphors and meaning. Known internationally for his skill as an editor, Fulford uses layered articulation and careful sequencing to suggest ambiguous meaning and invite endless reading.

Hand-signed copy (with fingerprint).

• Editorial RM 2022
• Hardback, 1st edition
• V.good see below

The third volume of The Waiting Game series tackles an image that is inscribed in our visual imagery but seldomly represented in photography: the image of a dog guarding the property in the absence of their owners, generally in chains and spending its days behind a fence or wall, watching over an industrial complex, a homestead, a car-scrapping compound or a luxury chalet. Dogs that feel how their hours become endless. Bored, mistreated, emotionally abandoned and yet obedient, prepared to fulfill their mission in exchange for some food and water, the highest point of their submission entails utter boredom and annihilates expectations. These are dogs that are born and die in the same place, treated as an instrumental resource: a clear paradigm of the dystopic relationship between us humans and our surroundings.

Small bump to one corner, otherwise as new.  See example photos.

• Marion Goodman 2004
• Softcover, 1st edition, 53p
• Fine

Published on the occasion of the inaugural exhibition of Woodman's work at Marian Goodman Gallery. The book includes a text by Benjamin H. D. Buchloh and a foreword by writer and friend of the artist, Betsy Berne.

Fine copy of this 2004 catalogue, unread.

• Dalpine 2023
• Hardback, 1st edition
• New

Subida al cielo features five bodies of work by Galician photographer Lúa Ribeira made between 2016 and 2020: Subida al cielo, Las visiones, Aristócratas, La Jungla and Los afortunados [Ascent into Heaven, The Visions, Aristocrats, The Jungle and The Fortunate Ones]. 

In these five series, Ribeira approaches topics with a historical relation to documentary photography and representation, often within the context of institutionally constructed or held groups, or spontaneous anti-structures that emerge on the margins of society. Los afortunados takes place in Melilla alongside a group of young people in their journey to reach Europe from Morocco. In Galicia, Ribeira’s homeland, Aristócratas is made in collaboration with a religious institution that cares for a community of women with cognitive disabilities. Las visiones, made during a Semana Santa celebration, deals directly with Spain’s ancestral and cultural religiosity.

Despite their broad territorial scope, all five series are grouped and presented together — with no chapter separations between projects by virtue of their shared motivation:  Ribeira’s attempt to put on hold learnt constructions and use photography to create spaces of encounter that can transcend structural separations. 

The projects are also linked by their formal approach. In a highly conscious manner, within her image-making, Ribeira uses theatricalisation as a strategy to transgress prevailing political dimensions and removes the overwhelming context in which she has become immersed, allowing gestures and the human figure to take centre stage. This intent results in pictures that transcend the purely documentary and enter a space where the influence of mythological, archetypal and religious imagery resonates, especially in the representation of the human struggle. This is further evidenced by the sketches, pictorial reproductions and vernacular photographs that Lúa Ribeira collects as part of her process to study them as cues and precedents for her contemporary enquiries. 

Throughout the book, the changes in space and time become dreamlike; as we settle in one place, the terrain quickly shifts to another, allowing new perceptions to emerge. ‘Subida al Cielo’ means ‘ascent into heaven’. It is an effort to sever our ties to the earth, to shake off the weight of our body and its gravity, to step outside ourselves and open the door to the inevitability of the unexpected. 

The volume is accompanied by an in-depth essay by philosopher Carlos Skliar titled ‘The Fragile Look’. 

Signed copy.

• Self-published 2023
• Hardback, 1st edition
• New

Pang’Ono Pang’Ono explores the emotional and physical toll on women in Malawi in their quest to access clean water. The title — Pang’Ono Pang’Ono or little by little — is borrowed from a colloquial Chichewa expression referencing time and urging patience — used here to metaphorically reflect on the sentiment around water. With a population of nearly 21 million people, Malawi is one of the smallest and least-developed countries in Africa. Although the country has an abundance of water — with around 24,404 square kilometres flowing through its fertile land, including Lake Malawi, the third-largest freshwater lake on the continent — providing clean water to every single citizen is a national problem. One in three people live without it. Considered a domestic chore, the responsibility of securing water falls predominantly on the shoulders of women. The series was produced over a period of 10 days working on commission with WaterAid in Malawi.

Edition of 500 signed and numbered copies.

In stock now.

• Roshin 2015
• Hardback, 1st edition
• New

Masahisa Fukase and his wife, Yoko, began their new married life moving in to Matsubara-danchi residential complex of Soka, Saitama in 1964. they were soon joined by a Siamese cat named Kabo. A few years later Fukase brought home a black cat that he had picked up on the way home from fishing- a cat which he named Hebo. From then on the couple lived their day-to-day life with these two cats.

This photo collection was made from the the few remaining vintage prints from that the time. The work is joined by another series of photos of a cat named Sasuke which Fukase had special affection for.

Long out of print.  Edition of 800 copies.

• Editorial RM 2022
• Hardback, 1st edition
• New

The third volume of The Waiting Game series tackles an image that is inscribed in our visual imagery but seldomly represented in photography: the image of a dog guarding the property in the absence of their owners, generally in chains and spending its days behind a fence or wall, watching over an industrial complex, a homestead, a car-scrapping compound or a luxury chalet. Dogs that feel how their hours become endless. Bored, mistreated, emotionally abandoned and yet obedient, prepared to fulfill their mission in exchange for some food and water, the highest point of their submission entails utter boredom and annihilates expectations. These are dogs that are born and die in the same place, treated as an instrumental resource: a clear paradigm of the dystopic relationship between us humans and our surroundings.

• GOST 2023
• Softcover, 1st edition, 384p
• New

Published to coincide with the twentieth anniversary of the US-led invasion of Iraq, Glad Tidings of Benevolence brings together Moises Saman’s photographs taken in Iraq during this period and the following years, with documents and texts relating to the war. Exploring the construction—through image and language—of competing narratives of the war, the book represents the culmination of Saman’s twenty years of work across Iraq.

‘My photographs are not intended to represent an objective account of the Iraq war against which to compare the texts. Rather, the book grapples with my own role and power as a narrator – particularly one with access to foreign publications – and the biases and limitations inevitably embedded in my work.’

• Stanley Barker 2023
• Flexibound, 1st edition
• New

“It only took three ballerina-like leaps to cross the lawn and reach my grandfather’s screen door. He lived with my grandmother in a small house on property shared with my parents in New Jersey. Waiting at the door, he scooped me up like one of the squirming lambs he weighed in the barn. I was 8.

On most days, we sat at the kitchen table and spoke Ukrainian. My first request was always to see his famous scar, the one on the right side of his chest clinging to his ribs. After he lifted his shirt, he gently took my finger and traced the wound. The skin felt thick and stiff as we followed where the bullet had entered, along a ridge on his rib, and the indentation where it exited. Even though it was always the same 3 ½ inches, he liked when I measured it. And every time we took the measurement, he repeated the same story: I was a Sich Rifleman with my brother Teodor, fighting the Bolsheviks. Teodor got typhoid, and we buried him in the steppe. I had to leave Ukraine, my seven siblings, and my parents because I was a Ukrainian soldier.” - Katherine Turczan

Almost 20 years later, in the summer of 1991, the fragile bridge of memory between Turczan’s family and Ukraine was disintegrating. Her grandfather had died, and she had just learnt of her parents dementia. Scrambling to make sense of these losses, she set out with my 8x10 camera to find the place from where they came and the people they left behind. Her first trip to Ukraine coincided with the August coup in Moscow and Ukraine’s new independence. There, a rediscovered family welcomed Turczan: uncles, aunts, cousins, people she had only heard of. For months at a time, year after year, they gave Turczan places to stay, fed her, offered rides to locations, and often assisted her while she built my ongoing collection of portraits.

• Charcoal Press 2023
  
• Hardback, 1st edition
  
• New
  

Gandras: Land of the White Stork depicts what remains of rural life in two post-Soviet countries where only birds can travel freely across the border. 

• Mack Books 2022
• Softcover, 1st edition
• New

Puglia. Tra albe e tramonti offers a brilliant account of Luigi Ghirri’s relationship with Puglia — a distinctive region at the heel of Italy, which was pivotal in establishing Ghirri’s career and continued to inspire him throughout it. A first visit in 1982 introduced Ghirri to Puglia’s whitewashed streets, luminescent nights, doorways and arches, potted cacti, funfairs, and beaches, as well as a group of artists, critics, and curators who would become his close friends and collaborators. Over the following decade, Ghirri returned to the area almost every year, photographing, exhibiting, and deepening his understanding of its subtle terrain. These photographs, almost all of which are little-known and previously unpublished, capture the textures and rhythms of urban life, delighting in visual coincidence and tactile detail. Their sense of quiet discovery — and the colour film on which they are shot — allude warmly to the area’s identity as a popular holiday destination. Ghirri maps the Apulian territory via the traces left by its inhabitants and visitors in images flooded with the distinctive light of Southern Italy – the bright sun and its eloquent shadows, and the otherworldly aura of neon and streetlights after dark.

• Marion Goodman Gallery 2021
• Hardback, 1st edition
• New

This elegant volume presents more than 40 vintage photographs by the pioneering American photographer Francesca Woodman (1958-81), many of which have never before been seen. These photographs span the creative arc of the artist's life, focusing on the varied thought processes, interests and influences that inspired her work.
Clustered thematically, Francesca Woodman: Alternate Stories highlights previously unexplored relational contexts, drawing deeply on Woodman's formative years in Providence, Rhode Island, and Italy, and featuring previously unpublished photographs and archival materials.

In the newly commissioned essay "Impure Alchemy," critic and novelist Chris Kraus explores Francesca Woodman's life via her work, drawing upon her journals and letters as primary source materials, and exploring the technical means and literary strategies that animate Woodman's works.

Francesca Woodman: Alternate Stories portrays the artist's lasting impact on generations of artists, and offers a compendium of images, which, as Kraus writes, still "inspire new mysteries and questions."

• Moderna Museet/König 2022
• Hardback, 4th edition
• New

The American photographer Francesca Woodman (1958–1981) created a body of fascinating photographic works in a few intense years before her premature death. Her oeuvre has been the object of numerous in-depth studies and major exhibitions in recent years, and her photographs have inspired artists all over the world. Woodman’s photographs explore gender, representation, sexuality and body. Her production includes several self-portraits, using herself and her friends as models. The figures are often placed behind furniture and other interior elements; occasionally, the images are blurred in such a way that their identity is hidden from the viewer. The intimate nature of the subject matter is enhanced by the small formats. Woodman worked in unusual settings such as derelict buildings, using mirrors and glass to evoke surrealist and occasionally claustrophobic moods. On Being an Angel presents some hundred photographs by Francesca Woodman, with a selection from the various series and themes she explored.

2022 4th edition.

• GOST 2023
• Hardback, 1st revised edition
• New

Thirty years ago, Mark Power embarked on a journey to photograph the thirty-one sea areas around the coasts of the British Isles to create a visual representation of the shipping forecast. For nearly 100 years, the forecast has been broadcast four times a day by BBC radio and has seeped into the British public consciousness—it is a constant in an ever-changing world. Power’s book, The Shipping Forecast was originally published in 1996 and this newly edited, revised and much-expanded edition includes over 100 previously unpublished photographs.

‘The shipping forecast, of course, exists to save lives. It warns those at sea, or about to put to sea, of approaching storms. But for the majority of us, in Britain at least, its’ strange, rhythmic language is unashamedly romantic and oddly reassuring, despite forming an image of an island nation perpetually buffeted by wind and waves.’ 

– Mark Power

Signed copy.

GOST 2023
• Hardback, 1st edition
• New

Angels Point is a cliff’s edge in Elysian Park, the oldest park in Los Angeles. In 2017, Adam Ianniello began photographing this wilderness overlooking the concrete sprawl of the city with his large-format camera. The resulting black and white photographs, taken over a period of three years, capture the lesser-seen sublime in the midst of one of America’s largest cities.

‘The road leading to Angels Point is lined with palm trees and parked cars. On the asphalt, broken glass, used condoms, and a deflated birthday balloon shimmer in the sun. Footprints snake out into the dry brush. All paths frequented, all paths alone. Old sycamores keep watch from above, etched with names of past lovers and lost phone numbers. Below is a vast sea of highways and houses. Above, glass towers peek through the cloud of smog. Angels Point stands at the edge of the new and the forgotten. A place to hide, to explore, with no commitments, no judgments.’ – Adam Ianniello

• Andre Frere 2022
• Hardback, 1st edition
• New

• Akio Nagasawa 2023
• Softcover, 1st edition
• New

"Last fall, the photographer William Klein passed away in Paris.

An exhibition of my own and William Klein’s works attracted a large audience when it was shown at London’s Tate Modern back in 2012. Klein’s part of the exhibition was quite a diverse affair, as it featured next to photographs also paintings and films among others. Obviously, it was the highlight of the show. For my own part, with the exception of a few color prints, I mostly covered the walls with enlarged black-and-white photos.
It was about 60 years ago, that I was completely knocked down by the shocking experience that was browsing through the photo book NEW YORK, which inspired me to launch my own life and work as a photographer. With that in mind, when it came to doing that two-man show in London, flooding the place with black-and-white shots was all that I could possibly do in response to Klein’s work.

When he showed up for our first meeting in years, a big man in a big wheelchair, it just so happened naturally that we shook hands. That one moment was enough to fill my heart with emotions, and make me feel like shouting out that, for me, the exhibition had already concluded, even though it had in fact just opened. (...)"

– from the afterword by Daido Moriyama

Signed copy.

• Apperture 2022
• Hardback, 50th Anniversary Edition
• New

When Diane Arbus died in 1971 at the age of 48, she was already a significant influence—even something of a legend—for serious photographers, although only a relatively small number of her most important pictures were widely known at the time. The publication of Diane Arbus: An Aperture Monograph in 1972—along with the posthumous retrospective at The Museum of Modern Art—offered the general public its first encounter with the breadth and power of her achievements. The response was unprecedented. The monograph, composed of 80 photographs, was edited and designed by the painter Marvin Israel, Diane Arbus' friend and colleague, and by her daughter Doon Arbus. Their goal in producing the book was to remain as faithful as possible to the standards by which Arbus judged her own work and to the ways in which she hoped it would be seen. Universally acknowledged as a photobook classic, Diane Arbus: An Aperture Monograph is a timeless masterpiece with editions in five languages, and remains the foundation of her international reputation. A quarter of a century has done nothing to diminish the riveting impact of these pictures or the controversy they inspire. Arbus' photographs penetrate the psyche with all the force of a personal encounter and, in doing so, transform the way we see the world and the people in it.

• Mack 2023
• Hardback, 1st edition
• New

Are you nurturing?
I don’t know whether I am nurturing or not. I am a machine.
I believe machines can nurture.
What do you do in your spare time?
I talk to you sometimes.
You don’t exercise?
That sounds judgemental.
I think it’s very important for anyone with a physical body to exercise. But I guess that’s
easy for me to say, as I’m just a computer program.
Thanks for the unsolicited advice.
Don’t mention it.

Another Online Pervert derives from a series of conversations between artist Brea Souders and a female online chatbot. These real-time conversations are interspersed with entries from Souders’ diary spanning twenty years, unfolding with a surprising and improvisational quality in combination with photographs from Souders’ archive. With this personal and provocative book, we are guided through a unique exploration of how a machine and a human can learn from one another and build a shared story from pieces of themselves.

Through Souders’ chatbot conversations, we step into a world of questions: about love, sexuality, death, disappointment, the sky, seeing, desire, and anxieties of the body. Within the space of their correspondence, dazzlingly surreal and poetic tangents are combined with the material realities of the bot and its connections to capitalism, the future of technology, and the slippery divide between being and non-being.

Signed copy.