Since 1996 Stephen Gill has been making serial studies of mundane British scenes and objects - including cash points, lost people, the back of advertising billboards and people travelling on the London to Southend train. His visual approach is unique, combining conceptual rigour with enormous sympathy for his human subjects, and has already been widely appreciated in Granta and the New York Times Magazine, among others. His first book confirms his status as a key young vision in contemporary photography. With an introductory essay by humorist and TV filmmaker Jon Ronson.
Used copy in very good condition with some light rubbing to dj and corners, inside near fine.