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Sherry’s approach to the medium challenges categorical ideologies and the question of photographic truth. It could be argued that no photograph can be completely detached or objective, but the distinction concerning a photographer’s intent seems to divide directives: aesthetic or objective. With this collection of “truthful” images, presented in exaggerated colors, the artist marries opposing categorizations, or the division implied therein. Wonderful Land reminds us, through photography, of the inherent value that exists in any natural resource – what it offers, what it represents, and ultimately, its ability to connect us to a broader experience.
Limited edition of 1000 copies.