{"title":"all","description":"","products":[{"product_id":"hackney-flowers","title":"Hackney Flowers","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cdiv class=\"right\"\u003eNobody 2007\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003eHardback, 1st edition\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIn Hackney Flowers Stephen Gill has again used his east London surroundings as the inspiration for his work. This time he has collected flowers, seeds, berries and other objects from various locations in Hackney, pressed them in his studio and photographed them alongside his own photographs and found ephemera. Some of the base photographs were also buried in Hackney Wick, and the consequent staining and decay has left its imprint upon the images, stressing the collaboration with place. 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The venue was a former hospital designed in a classical style, the interior of which was entirely refurbished into a museum. The exhibition that took place in a variety of different settings inside the building was based on a plan that I had worked out according to my own ideas, presenting a hand-picked selection of photographs taken between 1964 and 2009. After the show, just for a brief moment, I couldn't help but feel something funny about it all.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMy three-day schedule in Modena only allowed me to take some snaps along the way while commuting between the museum and my hotel in the old part of the city. 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Limited edition of 1000. 5 colour screen printed cover tip-in.\u003c\/p\u003e","brand":"Sam Falls","offers":[{"title":"Default Title","offer_id":32083716440195,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0329\/4583\/2067\/products\/SAM_FALLS-Morel-1_1050x_a5fa9a04-c4fe-4b36-8108-f60af33e4dc6.jpg?v=1590000749"},{"product_id":"stranded-in-canton","title":"Stranded in Canton","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cdiv class=\"right\"\u003eTwin Palms 2008\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003eHardback, 2nd edition\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWilliam Eggleston’s pioneering video work, \u003ci\u003eStranded In Canton\u003c\/i\u003e, has been restored and is finally available, almost thirty-five years after it was made. 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Long out of print, this “missing link” in the history of the photographic book is now once again made available. Using scans from the original negatives and Steidl’s five plate technique to bring out nuance and detail never seen before in print, this masterful edition transcends the original, bringing this underground cult classic into the 21st century for a new generation to discover. \u003cbr\u003e\u003cbr\u003eRecommended reprint.  2nd Steidl edition.\u003c\/p\u003e","brand":"Ken Schles","offers":[{"title":"Default Title","offer_id":32345619234947,"sku":"","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0329\/4583\/2067\/products\/city.jpg?v=1590000662"},{"product_id":"record-16","title":"Record no.16 (signed)","description":"\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAkio Nagasawa 2010\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSoftcover, 1st edition\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNew\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e...I am by nature someone who has little use for such things as origins and fixed points, and as I actually think that adopting such conceptions would mean that I've arrived at a point where I should call it a day, in this respect \"street photographer\" surely is an occupation that suits me well. Nevertheless, capturing on film the extensive net of streets that stretched across the globe like a labyrinth sometimes seems to me just as pointless as sticking a rod in the ocean, happens that I experience a disappointing sense of futility. However, it is my extremely optimistic nature that encourages me to \"keep shooting nonetheless\", and this mindset at least is standing firm. After all, I'm only happy when I'm out there with the camera in my hand, so this may in fact be the one point where my true identity manifests itself. 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Plossu’s photographs allow us to see fragments of the world, a world in which birds have reinvested our environment.  \u003c\/p\u003e\n\u003cp\u003eThe essay by ornithologist Guilhem Lesaffre underlines a fundamental aspect of bird life: migration as brought by Plossu’s photographs to light. \u003cbr\u003e\u003cbr\u003eText in French (no English edition exists)\u003c\/p\u003e","brand":"Bernard Plossu","offers":[{"title":"Default Title","offer_id":33417133490307,"sku":"","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0329\/4583\/2067\/products\/Screenshot2020-10-13at15.32.16.png?v=1602599749"},{"product_id":"the-gamblers-special-edition","title":"The Gamblers (special edition)","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cdiv class=\"right\"\u003eRRB 2018\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003eHardback, 1st edition\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMartin Amis’ photobook The Gamblers is the culmination of his long-term project photographing at racecourses across the South of England. The Gamblers is an affectionate portrait of the racing crowd, a well-informed tribe of racing enthusiasts, from a quirky mix of class and social backgrounds, who come together to find the next winner. Martin immersed himself in the racing crowds, camera at the ready, often betting himself as he sought his next subject. Despite covering so many races over more than a decade with a variety of cameras and shooting strategies, Martin has skillfully collected his images into a single story. Filled with moments of gentle humour, The Gamblers will take you from highs to lows, through moments of tension to the frenetic and jubilant energy of the holding the winning slip.\u003c\/p\u003e\n\u003cp\u003e“Some of my fondest childhood memories are my regular trips to the races with my father. I loved to watch the horses race, but I loved even more to watch the motley cast of characters betting on them. The stench of beer and tobacco would fill the air, bookmakers’ chants of the latest odds cut through the gamblers lively conversations as I helped my father place his bets. As a photographer, it was a very obvious subject to focus my camera lens upon.”  – Martin Amis\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecial edition of 50 signed copies with a signed and numbered 10’x8” archival print as per image. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Martin Amis","offers":[{"title":"Default Title","offer_id":33420922388611,"sku":"","price":100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0329\/4583\/2067\/products\/Martin_Amis_The_Gamblers1_1600x_eab7dede-e2cb-4a31-abf3-2bc3fb46bbf9.jpg?v=1590000817"},{"product_id":"the-gamblers-signed","title":"The Gamblers (signed)","description":"\n\u003cul\u003e\n\u003cli\u003e\n\u003cdiv class=\"right\"\u003eRRB 2018\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003eHardback, 1st edition\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMartin Amis’ photobook The Gamblers is the culmination of his long-term project photographing at racecourses across the South of England. The Gamblers is an affectionate portrait of the racing crowd, a well-informed tribe of racing enthusiasts, from a quirky mix of class and social backgrounds, who come together to find the next winner. Martin immersed himself in the racing crowds, camera at the ready, often betting himself as he sought his next subject. Despite covering so many races over more than a decade with a variety of cameras and shooting strategies, Martin has skillfully collected his images into a single story. Filled with moments of gentle humour, The Gamblers will take you from highs to lows, through moments of tension to the frenetic and jubilant energy of the holding the winning slip.\u003c\/p\u003e\n\u003cp\u003e“Some of my fondest childhood memories are my regular trips to the races with my father. I loved to watch the horses race, but I loved even more to watch the motley cast of characters betting on them. The stench of beer and tobacco would fill the air, bookmakers’ chants of the latest odds cut through the gamblers lively conversations as I helped my father place his bets. 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Spray-painted rumours of romance punctuate a world comprised largely of teenagers and young couples.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I love the South for its warmth and chaos. The vegetation down here grows rampant; the light is softened by humid air. The people are for the most part friendly and they are comfortable in their bodies. They tend to be more open to being photographed by a stranger. The unexpected happens here a lot\u003c\/em\u003e.\" - Mark Steinmetz\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eRecommended. \u003c\/strong\u003e\u003c\/p\u003e","brand":"Mark Steinmetz","offers":[{"title":"Default Title","offer_id":33432900534403,"sku":"","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0329\/4583\/2067\/products\/1538660046_ScreenShot2018-10-04at14.31.19.jpg?v=1590000734"},{"product_id":"sin-salvation-in-baptist-town","title":"Sin \u0026 Salvation in Baptist Town","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cdiv class=\"right\"\u003e\u003cspan\u003eSturm \u0026amp; Drang 2018\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003eHardback, 1st edition\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWith his long-term project \u003cem\u003eSin \u0026amp; Salvation in Baptist Town\u003c\/em\u003e Matt Eich documented life in Baptist Town, one of Greenwood, Mississippi’s oldest African American neighborhoods, where the legacies of racism continue to impact the people economically and culturally. \u003cem\u003eSin \u0026amp; Salvation\u003c\/em\u003e\u003cspan\u003e is the culmination of seven years of photographic work and engagement with the residents of the Baptist Town neighborhood. Consisting of both documentary portraiture and landscape, Eich narrates the long, twisted, and complicated history of Baptist Town into a contemporary context. \u003c\/span\u003e\u003cem\u003eSin \u0026amp; Salvation\u003c\/em\u003e\u003cspan\u003e is the second volume of Eich’s four-part photo series \u003c\/span\u003e\u003cem\u003eInvisible Yoke.\u003c\/em\u003e\u003cspan\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFirst edition of 800 books.  \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Matt Eich","offers":[{"title":"Default Title","offer_id":33456141762691,"sku":"","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0329\/4583\/2067\/products\/sin.jpg?v=1590000777"},{"product_id":"angel-city-west-3","title":"Angel City West: Volume Three (signed)","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cdiv class=\"right\"\u003e\u003cspan\u003eNazraeli 2019\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003eHardback, 1st edition\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFine\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003e“I am now the same age that Garry Winogrand had been when I knew him – 56. I was just 22 then and now wonder why he had be willing to spend some time with someone so young. I must have come across as OK and probably mentioned some of the right names: Friedlander, Wessel, Zulpo-Dane. Once he called me up (the first time was startling to me as he must have looked up my name in the phone book) to see what I was up to the next day. I said, “If it’s sunny, I’m going to photograph; if it’s rainy, I’m going to print.” “Likewise,” he said. Maybe in some ways we were similar.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eOne day I asked Garry to go with me to photograph at the LA Zoo and he agreed. We had a full day and shot until the light faded. As we were nearing the exit, Garry spotted Bernadette Peters, the famous movie and Broadway actress, who was visiting the zoo with her boyfriend. Garry photographed her before on the set of John Huston’s movie, Annie. She and her boyfriend were dressed in identical jeans and jackets. Strikingly, they both had the same drooping, poodle-like hairstyle. Surprised, she threw her head back and shrieked with delight when Garry swooped in to take their picture. Out in the parking lot he sank into the passenger seat and said, “Boy, you don’t know how tired you are till you sit down.” \u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eIn February of 1984, I called him up to say I had decided to leave town and move back east. His voice on the other end of the phone sounded terrible, very weak. I had no idea what was going on with him – it was shocking. He wished me “the best of luck.” The following month, a couple weeks before my 23rd birthday, I was at my parents’ house in Hartford and my mother brought me the New York Times. Without saying a word, she pointed to Garry’s obituary. During the time we spent together, there had been a cancer growing inside of him but he didn’t know it. Garry was always looking outward, beyond himself.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWe are pleased to announce the publication of Volume 3 in Mark Steinmetz’s trilogy \u003cem\u003eAngel City West\u003c\/em\u003e. Building upon the narrative he began with Volumes 1 \u0026amp; 2, Steinmetz presents 54 previously unpublished photographs made during his stay in Los Angeles in 1981–84. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003e\u003cem\u003e\u003c\/em\u003eEdition of 350 signed and numbered copies.  \u003cbr\u003e\u003cbr\u003eBook in as new condition, some possible light indentations to the slipcase (common).\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e","brand":"Mark Steinmetz","offers":[{"title":"Default Title","offer_id":33478132203651,"sku":"","price":160.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0329\/4583\/2067\/products\/Screenshot2020-06-12at16.51.05.png?v=1591977220"},{"product_id":"exposure","title":"Exposure","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cdiv class=\"right\"\u003eEditorial RM 2018\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e1st trade edition\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e30 years have passed since world’s worst nuclear accident happened at the Chernobyl Nuclear Power Plant (ChNPP) in the former Soviet Union (currently, Ukraine). 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Decontamination work has been handed down from generation to generation since the accident.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGiven the difficulty of dealing with radioactive waste it seems as though this process could go on for ever. Supporting those two photobooks, Obara make the replica of an old newspaper which was found in Pripyat from the time helps to feel the passing of time.\u003c\/span\u003e\u003c\/p\u003e","brand":"Kazuma Obara","offers":[{"title":"Default Title","offer_id":33484827558019,"sku":"","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0329\/4583\/2067\/products\/71hKvSSy7yL.jpg?v=1590000430"},{"product_id":"record-no-40-signed","title":"Record no.40 (signed)","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cdiv class=\"right\"\u003eAkio Nagasawa 2019\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003eSoftcover, 1st edition\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eLast November, while the “Paris Photo” fair was on, I went to Paris for the first time in two years. The main reason for my trip was some business I had to do in connection with Paris Photo.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSo I thought I’d take some snaps while I’m in the city, which I could use to fill a few pages of the next issue of Record. I eventually spent one of the five days I stayed in Paris devoting myself to shooting. While taking pictures in the Saint-Michel neighborhood, Rue Mouffetard, and the area around Moulin Rouge, my memory gradually transported me back 30 years, to the time when I lived in Paris for a brief moment.\u003cbr\u003eAt the time I had rented an apartment at the foot of the Rue Mouffetard, and day after day I would grab my camera and take to the streets to just wander around with no particular purpose.\u003cbr\u003eIt was 30 years ago that I suddenly went mad and got obsessed with that idea to rent a room in Paris, where I would set up something like a private gallery. I bothered Ms. Kazue Kuramochi, an acquaintance of mine who was based in Paris, and asked her to help me find a place. I did find one, but for a variety of reasons my dream of a gallery didn’t become reality, and I ended up spending my days roaming the streets instead. I didn’t speak any French to begin with, only some broken English, and I obviously didn’t have any friends in the city. So there I was, a guy who had just turned 50, totally bewildered, and with nothing else to do than keep pressing the shutter button of my camera.\u003cbr\u003e\u003cbr\u003eHowever in retrospect, even though there are a few things that I do regret, in the long run I think it was just fine that way. After all, I have two photo books of Paris, and one of Marrakesh now. 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While these large-format color photographs are made all over the world, they aren’t about any particular place or population. Whether made in Odessa or his hometown of Minneapolis, Soth’s new book is fundamentally about intimate encounters in private rooms.\u003c\/p\u003e\n\u003cp\u003e“After the publication of my last book about social life in America, Songbook, and a retrospective of my four, large-scale American projects, Gathered Leaves, I went through a long period of rethinking my creative process. For over a year I stopped travelling and photographing people. I barely took any pictures at all.\u003c\/p\u003e\n\u003cp\u003eWhen I returned to photography, I wanted to strip the medium down to its primary elements. 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Whether a picture is made in Odessa or Minneapolis, my goal was the same: to simply spend time in the presence of another beating heart.” - Alec Soth\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited edition of 150 copies with a signed first edition of the book housed in a slipcase with a c-type print (see image).  Out of print for several years.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"books_about\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Alec Soth","offers":[{"title":"Default Title","offer_id":33519154364547,"sku":"","price":500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0329\/4583\/2067\/products\/covers151_2048x2048_8975a70e-869b-41f5-bf87-3e5e565162f1.jpg?v=1590000468"},{"product_id":"i-know-how-furiously-your-heart-is-beating","title":"I Know How Furiously Your Heart Is Beating","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cdiv class=\"right\"\u003eMack Books 2019\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003eHardback, 1st edition\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTaking its name from a line in Wallace Stevens’ short poem “The Gray Room,” Alec Soth’s latest book is a lyrical exploration of intimacy. While these large-format color photographs are made all over the world, they aren’t about any particular place or population. Whether made in Odessa or his hometown of Minneapolis, Soth’s new book is fundamentally about intimate encounters in private rooms.\u003c\/p\u003e\n\u003cp\u003e“After the publication of my last book about social life in America, Songbook, and a retrospective of my four, large-scale American projects, Gathered Leaves, I went through a long period of rethinking my creative process. For over a year I stopped travelling and photographing people. I barely took any pictures at all.\u003c\/p\u003e\n\u003cp\u003eWhen I returned to photography, I wanted to strip the medium down to its primary elements. 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