Photobookstore

• RVB 2026
• Hardback, 1st edition, 128p
• New

Invited by Belmond to create a photography book devoted to Maroma, in Mexico, Jack Davison stayed at the Riviera Maya hotel to explore its singular atmosphere. His attention extends as much to the architecture as to its most elusive details: plays of light and shadow, surfaces, silhouettes, and traces of presence. 

Alternating portraits, fragments of objets, and closely cropped views, Davison assembles a body of work that shifts the conventional perception of Maroma. This project aligns with Belmond’s limited-edition book series, which invites contemporary photographers to move beyond mere representation of places and offer an artistic and singular vision.

• Nazraeli 2026
• Hardback, 1st edition, 110p
• New

It Will Hold You by Alex Ramos is a hand-crafted artist’s book inspired by a lifelong fascination with railroads. The book presents three interwoven perspectives: photography, abstract textural studies, and text that invites a meditative journey about movement, memory, and transformation.

The front side of the book features black-and-white photographs made along the rail line where Ramos grew up in Berkeley, California. Between passing trains, he walked for miles, photographing quiet scenes of the surrounding environment. The reverse side presents a conceptual interpretation of trains and the energy they carry. Through “Rail Prints,” text, vernacular photographs, and ephemera drawn from Ramos’ archive, the sequence forms a record of his personal experiences shaped by trains.

Rail Prints are created through a process in which Ramos places pre-cut sheets of paper on active tracks, well before the passage of a train, allowing them to be crushed beneath the locomotive and trailing railcars. Each print is unique, and is paired with the location, locomotive number, and approximate speed of the train that formed it. 

During his explorations, Ramos recorded railroad radio transmissions which were then transcribed and are interspersed throughout the sequence of images. Together, these elements invite reflection on the physical and emotional ties to railroads, and the stories they carry of departure, passage and movement onward.

About the book’s design: Building It Will Hold You was no simple task. Each accordion bound book is housed between unique front and back covers made from cut and distressed pieces of ¼-inch wood. In total, more than twenty steps were required to produce each copy of the edition of 800. When asked by Nazraeli how he envisioned the finished book, Ramos replied, "I want my book to resemble an object you might come across while walking along the railroad tracks. Something textural and sunbaked that carries a story with it.”

Every decision in the production process supported this vision. Sheets of wood were cut down to 1,600 pieces and then treated and hand-sanded to form the front and back covers. It was important to Ramos to source the wood from a lumber yard near the railroad tracks where his photographs were made. Layers of wood stain, sand, spray paint, markers, crayon, drilled holes, and tape were applied, with the finishing touch of an affixed print to the cover.

• VOID 2026
• Softcover, 1st edition, 144p
• New

Drawing from an extensive personal archive of photographs spanning more than a decade, Rory King’s ‘By the Pulling of the Wind’ is an intimate record of life lived.

For Canberra-based photographer Rory King, the practice of taking photographs is an instinctive and continuous part of life. His new book ‘By the Pulling of the Wind’ reflects his ongoing relationship to image-making, occupying a hybrid space between documentary practice and personal history.

Softcover, with french folds.

• GOST 2026
• Hardback, 1st edition, 160p
• New

Described by Martin Parr as the 'quiet man of British Photography'; North by North East, is a comprehensive survey of renowned British photographer Ian Macdonald’s extensive career. The book delivers from a number of established and renowned projects whilst unveiling lesser-explored yet equally significant previously unpublished photographs.

The book spans the first twenty years of Macdonald’s photographic practice (1968-1989). His lens has followed the rise and decline of industry through the creation of an extensive archive of the region, creating a body of work that stands firmly within the tradition of British documentary photography that flourished in the late 1970s and 1980s — a period defined by political upheaval and social change. 

Signed copy.

• GOST 2026
• Hardback, 1st edition, 84p
• New

Presented in its entirety in book form for the first time, Dark Line brings together photographs made between 2015 and 2024 and is Kander's most personal body of work.

The series follows the Thames Estuary, where the River Thames widens dramatically as it leaves London and meets the North Sea, the same stretch of water J.M.W. Turner painted for its light, but one now mostly known, if at all, for its low grey marshes and mudflats. 

Each photograph brings together the landscape of the estuary and the human history embedded within it, a place ‘out of sight of the capital,’ as Kander puts it. He works slowly, often spending hours until dusk making long-exposure photographs. Back in the studio, the artist revisits and reprints the images again and again, sometimes over several years, refining each one until it reaches what he describes as ‘feeling like water.’

Throughout Dark Line, the estuary appears as a shifting threshold between land and sea. At times the tide is high and the air crisp and still; at other times, dense autumn weather veils the landscape, dissolving it into muted yellow tones. Across the changing seasons, the photographs reveal moments where land, water and sky become almost interchangeable, moving beyond description towards something more universal.

These pictures depict a place of deep historical resonance, from the eras of empire and trade to those of Brexit and migration. Once a bustling industrial corridor, the estuary is now an eerily quiet landscape of marsh and mud layered with social, military and political history. For centuries it has been a gateway to Britain, home to naval docks, trade routes and shifting borders through which goods and people have travelled in both directions.

Yet despite this weight of history, the photographs remain rooted in atmosphere, texture and abstraction rather than literal description. While Kander's starting points are often sites of historical significance – a fort, a quarry or a naval base – the finished images resist illustration. As he explains:

These are pictures that don't divulge much and this is true of all my work. I wanted to add texture for a viewer and did so by hinting at the journey one might take while looking at a picture that is invariably water and sky. I hope that the way I feel about the works can be transferred to another, and that they feel the weight of history and past generations on the silt and the water in my pictures.

The photographs also draw upon Chinese philosophy and aesthetics, referencing shan shui scroll paintings, in which human presence is understood as only a small part of the vast, cosmic flow of nature.

Signed copy.

• Getsuyosha 2015/2019
• Softcover, 3rd printing
  
• New
  

“The title of this book, Dog and Mesh Tights came to me suddenly one day recently as I was walking through the streets of the Ikebukuro district of Tokyo. Most of the subjects depicted here are those that I spotted on the streets, on the exterior walls of buildings or lying in the gutter during the course of my everyday life, things that tend to remain unnoticed, obscure corners of largely deserted back alleys, or human figures that linger inconspicuously - things that catch my eye but generally remain unremarked. In a way I think they can be said to resemble the world as ween through the eye of a dog”

• This is the artist's first arrangement with date in order of shooting.
• All photos are in vertical position.
• There are no photos of dogs or mesh tights in this photo book.

Unsigned.

• Getsuyosha 2023/2025
• Softcover, 316p
• Fine

This 2023 reprint of Daido Moriyama’s “Farewell Photography” brings back one of the master photographer’s most influential and controversial works. This edition is based on the 2019 publication of “Farewell Photography” by Getsuyosha (itself based on the original publication by Shashin Hyoronsha in 1972) but features a different binding and a more compact size.

Created at a pivotal moment in Moriyama’s career, “Farewell Photography” represents a radical exploration of the limits of photography and expression—uncompromising, invasive, and intimate. Fifty years after its original publication, the series has lost none of its impact.

This edition includes the full version of the Hilltop Hotel interview between Daido Moriyama and Takuma Nakahira (in Japanese only) as well as Daido Moriyama’s afterword (originally written for the 2019 edition; in Japanese & English).

2025 reprint.

257 x 182mm.

Unsigned.

• VOID 2026
• Hardback, 1st edition, 128p
• New

“Faced with a time of disasters and profound upheaval, we invent stories and rituals to navigate chaos and uncertainty.” - Elena Helfrecht

‘Unternächte’ takes its name from what Elena Helfrecht’s grandmother and great-grandmother in Bavaria called the nights between Winter Solstice and Epiphany, a liminal period known more widely as the Twelve Nights of Christmas. When the old year has not quite ended and the new one has not yet begun, the boundary between the living and the dead is said to blur as spirits descend into the mortal realm.

Helfrecht grew up with the customs and stories of this time. Since 2018, the Bavarian photographer has been returning to her birthplace in the Fichtel Mountains to revisit the eerie, mystical atmosphere of these nights and interrogate the folklore she inherited. Her black-and-white photographs examine and reinterpret the tales and traditions passed down through generations of women in her family, who sought guidance and a sense of control on the uncertain path ahead.

Though emerging from autobiography, ‘Unternächte’ reaches beyond family stories. Threshold moments like the Twelve Nights, an ending with no clear beginning in sight, have always carried a collective unease. Today, political rifts, environmental crises, and technological disorientation echo that same in-between feeling. As we grasp for new rituals and beliefs to feel secure in a fragmented world, ‘Unternächte’ reveals how the artist’s foremothers drew on these customs, resonating with a much wider cultural moment.

Through photography, Helfrecht explores how we turn to lore when the ground feels unsteady. She stages, re-stages, and reimagines family story and local tradition until the lines between memory and invention, between comfort and threat, blur. Her imagery is rooted in the tradition of folk horror, where the same beliefs that unite a community can, under pressure, turn against those within it just as easily as those outside it. The same fire that keeps a house warm can burn it down.

‘Unternächte' itself mirrors this ambiguity. Rather than a photographic survey, 'Unternächte’ is designed to evoke an old collection of fairy tales, something to return to and retell. Meaning shifts with every reading. Like the stories it draws on, passed from woman to woman, it is a tale that grows with us, carrying both comfort and warning.

Hardback with burnt cover, 17,1 × 24,4 cm, 128p.

• Cairo Apartment 2026
• Hardback, 1st edition, 96p
• New

“A sense of identity” rather than “identity”.

Untold Voices began with several vintage family photographs that Chieska Fortune Smith discovered at her family home in Japan.

Born to an African-American soul singer and a Japanese classical dancer, Fortune Smith has carried a sense of not having a solid grounding since her childhood. By collecting the haunting yet enigmatic moments of everyday life and her vintage family photographs which trace back three generations of her family, she evokes a melancholy as fleeting as a mirage, and transforms them into an exploration of her own roots.

”I’ve never really known how to use my voice. When I picked up a camera, I felt like it was the first time I could express myself, my thoughts and my emotions so accurately and honestly. I don’t know if I was consciously aware that the way I was taking photographs and that the images I chose to capture were influenced by my heritage and my roots. Perhaps the family photos I was surrounded by as a child had seeped into my subconscious and flowed out into my lens. In any case, this is my view; this is my world as I see it."
- Chieska Fortune Smith

First edition of 700 copies.

Signed copy.

• Deadbeat Club 2026
• Softcover, 1st edition, 64p
• New

Set entirely within his father's house, Andrew D. McClees’ Avalanche unfolds into an atmosphere of nocturnal claustrophobia, where tightly cropped photographs transform ordinary interiors into a fragmented psychological landscape.

Returning to the home he left after adolescence, McClees draws from memories of isolation, neglect, and depersonalization without ever settling into straightforward autobiography. Instead, through visual construction, he abstracts the domestic space into an immersive environment where reality and fabrication quietly dissolve into one another, creating an interior world that functions less as a document than as a site of psychological confrontation and reenactment. The viewer, in turn, is drawn into this unstable terrain, navigating a world suspended between familiarity and estrangement, where seemingly ordinary rooms gradually give way to an atmosphere of latent tension.

Printed with silver ink on black paper, the photographs seem to exude an inner glow, deepening the book's otherworldly atmosphere and its unsettling sense of disorientation.

Signed copy.

• Buchhandlung Walther Konig 2026
• Hardback, 1st edition, 112p
• New

The monograph ‘Farbe und Gebiet’ / ‘Color and Territory’ contains a group of 42 photographs, most of them unpublished until now, taken in the second half of the 1980s until the early 1990s with a medium-format camera on Kodak Vericolor negative-film while traveling in and around the cities of the Ruhr-area.

Text in English and German.

• Nazraeli Press 2026
• Hardback, 1st edition, 102p
• New

“This new body of work was all made last year, in Iceland. The specific topographies there provided Lee with what she needed: dramatic vistas capable of carrying the epic literary qualities of her work, the full range of human emotion. They are brooding, fearsome and roar with the supremacy of nature. The landscape, to Lee, is an expression of existential angst and metaphorical musings. Out there is the only subject capable of holding everything that’s in here, in us.”  - The Guardian

South Korean artist Jungjin Lee’s newest imprint, Unseen – Works in Iceland, features 56 landscape photographs taken in 2024. Lee’s distinctive technique, in which she creates prints on traditional mulberry paper, hand painted with emulsion, results in images at once delicate and stark. The sharp contrast between the dark landscapes and the melting snow renders some images nearly abstract, while other subjects – rocky peaks, cliffs, valleys and islands – show superb detail in their varied, charcoal tones.

Born in 1961, Lee was trained in calligraphy as a child. She received her BA in Ceramics from Hong Ik University and with a MA in Photography from New York University. She has worked between the United States and South Korea for over 30 years.

• Photieman 2026
• Softcover, 1st edition
• New

The Chelsea Reach, a legendary Merseyside nightclub was open from 1971 to the early 2000s, is where Tom Wood took many of his most important photographs, capturing the “ordinary” nightlife that existed alongside the flashier images of punks and Blitz Kids in the 70s and 80s. This new book collects his photos from club nights at the Chelsea Reach. Young couples kiss, groups of friends dance, and clubbers show off their feathered hair.

• EXB 2026
• Hardback, 1st edition
• New

The project was initiated by an invitation from the Musée de la Chasse et de la Nature (Museum of Hunting and Nature) in Paris in 2017 for the exhibition Beau doublé Monsieur le Marquis! Faced with a world that was then foreign to her, Sophie Calle sought another way to approach the subject of hunting. Since she did not identify with either the pursuit of animals or hunting narratives, she turned her attention to other forms of pursuit. Through a chain of associations, the concept of the “hunt for love” emerged—one that has been expressed for over a century in the columns of newspapers through matrimonial ads.

This anonymous material echoes several themes that run through her work: investigation first, observation second, and above all, cataloging—a form she is particularly fond of. Behind the accumulation of these thousands of ads, a map of expectations, projections, and loneliness gradually takes shape. While in the 1900s marriage appeared to be an economic arrangement, over time issues of gender equality, women’s financial independence, and moral commitment have shifted, revealing by implication the social, ethical, and emotional changes that have evolved over the past century. 

The title, On the Hunt, introduces another dimension: that of watching, waiting, and surveillance. Each decade—featuring about fifteen ads, men and women carefully selected by the artist—is accompanied by an image slipped into a glassine envelope, with a Japanese-style binding. Printed on both sides, each image shows, on one side, an animal captured by an infrared camera with an automatic shutter (Sophie Calle obtained these surveillance images through a study of various hunting associations conducted on wildlife near French highways), and on the other side, a hunter’s mirador. Reading the book is an active process: as the reader goes through the 24 small envelopes, the artist leaves it up to them to choose which side of the image—front or back—they prefer to view. As they flip through the pages, they thus outline their own search for a romantic partner. This format extends the role-playing suggested by the title: being the hunter or the prey, the observer or the observed.

Conceived as a book à tiroirs, On the Hunt continues the exploration Sophie Calle has been conducting for many years on power, trust, doubt, and intimacy in the realm of romance. The book also reveals the evolution of our behaviors, our perceptions of desire, our understanding of gender, and the shifts in our emotional dependencies over the past century.

Signed copy.  English Edition.

• Guest Editions 2026
• Softcover, 1st edition, 212p
• New

The tapestry of images presented on Mustafa’s pages was captured by Olgaç Bozalp during his travels across fourteen South West Asian and North African nations between 2016 and 2026. 

As well as conveying soulful, honest reflections of individuals, landscapes and scenes encountered upon these many trips; through Mustafa, Bozalp offers viewers a glance at the personal and artistic journey of discovery that unfolded internally over the decade.

This voyage, ignited and deepened by countless moments of connection with fellow SWANA citizens, eventually saw Olgaç embrace his once-discomfiting, given, middle name – Mustafa – as a chosen emblem of his self-hood.

It’s this entire self – Mustafa-Olgaç – that imbues this photographic journal with palpable curiosity and ease; that captures subjects, living and man-made, with an expansive yet personal conceptualisation of the beauty extant beyond the western gaze.

• Thames & Hudson 2026
• Hardback, 1st edition, 368p
• New

The definitive illustrated story of electronic sound, presented by the godfather of the genre, Jean-Michel Jarre, and featuring contributions from Gary Numan, Vince Clarke, Gillian Gilbert, Hans Zimmer and many more.

Jean-Michel Jarre is a true pioneer of electronic music, and this book invites readers into his formidable archive, one of the world’s most significant collections of electronic and electroacoustic instruments. Through 150 of these extraordinary machines – from iconic modular synthesizers to rare prototypes and bespoke one-offs – Jarre guides us across a century of sonic experimentation, tracing the ideas, technologies and cultural movements that shaped electronic music.

Brimming with deeply personal anecdotes, from Jarre’s childhood fascination with reel-to-reel tapes to his early musical studies, Machines is the account of an artist whose life and work are inseparable from the history of electronic music itself. His story is accompanied by reflections from fellow pioneers and collaborators, including Armin van Buuren, Vince Clarke, Gillian Gilbert, Nicolas Godin, Richie Hawtin, Johnny Marr, Gary Numan, Benjamin John Power, Nick Rhodes, Pete Townshend and Hans Zimmer. Alongside rare archival material, recreations of groundbreaking sonic experiments and sequenced stills from legendary live performances, these voices place Jarre’s work within the broader evolution of electronic music.

With layer upon layer of rich content, Machines offers a spectacular exploration of electronic music’s past, present and future – seen through the eyes of one of its defining visionaries.

Signed to a dedicated book plate pasted to the opening endpapers (see photo).

• David Zwirner Books 2022
• Softcover, 1st edition, 192p
• New

The Outlands, a series of photographs taken by Eggleston between 1969 and 1974, establishes the groundbreaking visual themes and lexicon that the artist would continue to develop for decades to come. The work offers a journey through the mythic and evolving American South, seen through the artist’s lens: vibrant colors and a profound sense of nostalgia echo throughout Eggleston’s breathtaking oeuvre. His motifs of signage, cars, and roadside scenes create an iconography of American vistas that inspired a generation of photographers. With its in-depth selection of unforgettable images - a wood-paneled station wagon, doors flung open, parked in an expansive rural setting; the artist’s grandmother in the moody interior of their family’s Sumner, Mississippi home - The Outlands is emblematic of Eggleston’s dynamic, experimental practice. The breadth of work reenergizes his iconic landscapes and forms a new perspective of the American South in transition.

Accompanying the ninety brilliant Kodachrome images and details, a literary, fictional text by the critically acclaimed author Rachel Kushner imagines a story of hitchhikers trekking through the Deep South. New scholarship by Robert Slifkin reframes the art-historical significance of Eggleston’s oeuvre, proposing affinities with work by Marcel Duchamp, Dan Graham, Jasper Johns, and Robert Smithson. A foreword by William Eggleston III offers important insights into the process of selecting and sequencing this series of images.

• Self-published 2024
• Softcover, 1st edition, 72p
• New

"Quarries are sites of trauma, spaces of deconstructed mass and exploitation, of overwhelming magnificence and fascination; and beauty. What the Mountain Said is set in a wild and remote corner of Almeria, Spain, unfolding around a spiritual and philosophical encounter with a mountain and its marble quarry, carved from the rock of silent seas laid down aeons ago.

Rock, stone, time as a measure of our place in the world. The book's landscape transforms from an unknowable, primal world to a broken open negative space, and fades out again to wrap the quarryscape back into the folds of deep time. There is no map for this world, a fractured space, dividing, splitting, reforming, resisting; the quarried rock throws up a jarring refrain, an insistent reminder that matter in and of itself has significance.

Four visits, five years, and this photobook has emerged to tell its story, exploring the charisma of the inanimate. It is in part a gesture of giving back, constructing a new landscape in book form, of celebrating the other. By imbuing the rock with dignity, fleshing out the void, it reanimates time in another dimension of paper and page and sequence, texture and thread. Respect to materials is at the heart of my practice, and this artist book consists only of paper, ink and grey linen thread. Its fragility is an integral part of the connections and energy I felt." 

- Gin Rimmington Jones

Softbound, exposed spine with folded cover front and back. Hand stitched with French link using Fil de lin glacé grey linen thread.

Signed and numbered edition of 100 copies.

• Loose Joints 2026
• Hardback, 1st edition, 144p
• New

New Genesis examines how American systems of care repeatedly fail the women and children most dependent on them. Made between 2022 and 2025, the project extends Abdulhamid Kircher’s exploration of lived trauma impacted by the intersecting violences of capitalism and domestic insecurity.

At the center of the book is Sierra Kiss and her young family. A friendship developed after Kircher made portraits of Kiss in her home in Los Angeles. Over the course of the four years they have known each other, Kircher has documented her experience of  homelessness, addiction, repeated pregnancies and domestic abuse. The work reveals a broken system of support – from shelters to churches and social services – eroded by chronic underfunding and government policy. When the scaffolding of the world we inhabit fulfills its own promise to keep women in states of dependency and impoverished people in states of powerlessness, how can we expect new generations of healthy, safe and cared for families to flourish? 

Kircher’s photographs trace the repetition, exhaustion and confinement that define daily survival as Kiss fights to create a loving and stable domestic environment for her children. Kircher seeks to share her lived experience with all its complexities, contradictions and struggles. Depicting with vulnerability the contours of her life alongside the moments of joy and innocence her children find within circumstances structured to limit them.

New Genesis interweaves texts pulled from Kiss’ Instagram stories that offer a parallel testimony and a powerful internal monologue of her mental health, isolation and resolve as her life goes on. Drawing on Kircher’s ongoing investigation of familial trauma and his own experience as a child to a young mother caught navigating abuse, this book highlights the realities of being born into circumstances that often stem from previous generations and bleed into the next. New Genesis unfolds as an intimate portrait of survival and resilience within the corrupt and cruel structures of modern capitalism and the American welfare system. 

• D Giles / Cincinnati Art Museum 2026
• Hardback, 1st edition, 224p
• New

The first major study of Nancy Rexroth (b. 1946), Secrets of My Power furnishes a missing account of her life, work and career as she established her artistic voice in the experimental 1970s and challenged prevailing approaches to photographic image-making. This book locates Rexroth’s practice in a period often associated with those of Diane Arbus, Francesca Woodman and the early work of Sally Mann. 

Tracing Rexroth’s career from her first photographs to her discovery of the Diana camera and through her exploration of digital tools in the early 2000s, Secrets of My Power presents numerous works which have never previously been made public. These include experimental stills on film, a 53-image carousel slide show and a corpus of self-portraiture. Together with rigorous analysis of her previously known work, these new discoveries help to distinguish and connect Rexroth to key artistic formations of the American photography world in the 1960s, 70s and 80s, including contested social and creative terrain around feminism and gender, technical experimentation, engagement with language, artistic networks and photography’s emergence in universities, museums and the art market.